Ned Rorem Quotes
Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.
Quotes to Explore
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
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One thing I did was grow up as an ardent naturalist. I never grew out of my bug period.
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The 1992 crisis proved that the existing system was unstable. Not moving forward to the euro would have set up Europe for even more disruptive crises.
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Occupy Wall Street means making Wall Street and the corporate power elite understand that the people affected by the binge of unregulated greed are not going away, and they are not going to give up.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or does it explode?
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Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.
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One trap you can fall into when playing someone iconic is to end up doing everything in an iconic way, no matter how pedestrian or mundane that thing is.
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I'm a really heavy sleeper. When I wake up I'm a terrible morning person.
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This may sound funny, but I feel my most beautiful when I'm clean, fresh out of the bath. I don't have to be dressed up. I could be in comfy clothes at home hanging out with my family.
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I'm planning to be here forever, but I know at some point I'll probably have to give it up. If you live to 100, there's a very good chance you'll live forever. Because very few people die after 100.
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Our young people look up to us. Let us not let them down. Our young people need us. Saving them will make heroes of us all.
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When 'The Shadow of the Wind' became a success I had already been a working writer, I'd been through the ups and downs, I'd seen how it worked.
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Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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Life would be very dreary if there were no magic. If the real world were only that veil of tears, I just don't think could get up in the morning.
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There is in every woman's heart a spark of heavenly fire which lies dormant in the broad daylight of prosperity, but which kindles up and beams and blazes in the dark hour of adversity.
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I have more energy at the end than I do at the beginning. You can be so beat up that you can scarcely walk on stage but when you get to the piano the excitement kicks in, you forget about being tired.
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I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
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Dickens's final book, 'The Mystery of Edwin Drood,' forms the jumping-off point for my new novel, 'The Last Dickens'. This last work by Dickens has very little social commentary and a pretty tightly efficient storyline and cast of characters. Not necessarily what we think of when we think what characterizes Dickens.
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I'm from a really little town called Quincy, five hours southwest of Chicago.
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Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.
