Neil Armstrong Quotes
It suddenly struck me that that tiny pea, pretty and blue, was the Earth. I put up my thumb and shut one eye, and my thumb blotted out the planet Earth. I didn't feel like a giant. I felt very, very small.
Quotes to Explore
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I'm ready to stretch my legs. I'm ready to jump in the ring.
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Is the button white or orange or green or yellow? Does it say 'sell', or 'sell now', or 'on sale' or 'for sale'? You test, you test, you test and most of the ideas you try fail and so I would argue I failed my way to success.
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
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I hate the giving of the hand unless the whole man accompanies it.
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Follow me around. I don't care. If anybody wants to put a tail on me, go ahead. They'd be very bored.
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When people refer to 'Back in the Day,' it was a Wednesday. Just a little fun fact for you.
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Photoshop should be a free-to-play game. There's not really a difference between very traditional apps and how they enhance productivity and wandering around a forest and killing bears.
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I wasn't completely comfortable in the footy culture because I wasn't that comfortable in my own skin, which I am now. I'd fit in better now, but I don't miss the training and the injuries you get playing footy.
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My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
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Persistence is to the character of man as carbon is to steel.
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In writing, as in medicine, there are no short cuts. You need stamina.
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Poetry comes alive to me through recitation.
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What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
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On certain, delicate subjects, bringing in outsiders to talk about values is pertinent because pupils listen to them more attentively.
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Before 9/11, I was playing a wide range of characters. I would play a lover, a cop, a father. As long as I could create the illusion of the character, the part was given to me. But after 9/11, something changed. We became the villains, the bad guys. I don't mind to play the bad guy as long as the bad guy has a base.
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If anyone should be executed, it should be Charles Manson. Do I go around during the daytime, 'Geez, I'm upset that he's alive'? No, I don't even think about him. I don't think about this case.
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My writing books with positive gay characters has come more out of anger than anything else: anger at not having been able to find honest, accurate books about people like myself as a teen, books that show we're as diverse as straight people and that we can lead happy, healthy, productive lives just as straight people can.
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History is fickle. We know that. The good and bad come around and go around, and go around again. There are recessions and depressions and economic boom and bust.
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All my gowns have trains on them. I make a train that goes on forever. I love long trains and then I stand there and twirl around and wrap myself up in it.
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An unashamedly indecent read. Welsh fans will love it.
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When we gather for worship, whether with a handful in a storefront chapel or with thousands in St. Peter's Square, we perform a drama with different parts-speaking and singing and praying and giving money and baptizing and eating bread and drinking wine-all for the delight of God.
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Weapons training, how to clear a room - all that stuff is imprinted into me.
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It suddenly struck me that that tiny pea, pretty and blue, was the Earth. I put up my thumb and shut one eye, and my thumb blotted out the planet Earth. I didn't feel like a giant. I felt very, very small.
