Hans Zimmer Quotes
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
Quotes to Explore
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I never blamed Pinochet, or my torturers, or external circumstances.
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I enjoy money. Not enough people in this world are happy. I'm determined to be contented, and having plenty of money from working makes it easier for me.
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The problem of the world today is the people talk on and on about democracy, freedom, justice. But I don't give a damn about democracy if I am worried about survival.
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They don't call it the Internet anymore, they call it cloud computing. I'm no longer resisting the name. Call it what you want.
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I do get approached occasionally, but not a ton. I'm unrecognizable because I'm coated in cat hair and sweat. And there's a sort of yeti quality to my presence... so I don't think that people can see the face.
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I never made a mistake in grammar but one in my life and as soon as I done it I seen it.
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I don't have a disregard for my reader in humor pieces.
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With this film, 'Need For Speed,' with this, we had a blank canvas to work with. What we had to do was have fast cars, and that's it.
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At school, I was a tomboy, and it would be me and all my guy friends.
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The Hungarian ministry begged the king earnestly to issue orders to all troops and commanders of fortresses in Hungary, enjoining fidelity to the Constitution, and obedience to the ministers of Hungary.
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I don't know that on-demand sports is remarkably better than live sports.
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Stories are like that. Like cities, they are built on the stones and bones of the past.
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I don't take pleasure in anyone's demise, really.
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We are born believing. A man bears beliefs as a tree bears apples.
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I've read science fiction my whole life. I never really dreamed that I'd be a published science fiction writer myself, but a short story I started years ago sort of demanded to be turned into a novel.
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I'm not sad at all about turning 40.
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I really like Los Angeles - I had a good life out there. But the reason I choose to live in New York is because when I'm between engagements, as they say, something creative always comes up for me, like 'Julian Po,' or helping teach at NYU, or helping stage a show at Juilliard.
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I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I had no money.
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I feel like a fraud... My name is not even actually Ashton. Ashton is my middle name.
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Golf is not easy.
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The tall building, concentrating man in one place more densely than ever before, similarly concentrates the dilemma of our public architecture at the end of the twentieth century: whether the new forms made possible by technology are doomed by the low calculations of modern patrons and their architects.
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I have neither the scholar's melancholy, which is emulation; nor the musician's, which is fantastical; nor the courtier's, which is proud; not the soldier's which is ambitious; nor the lawyer's, which is politic; nor the lady's, which is nice; nor the lover's, which is all these: but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry contemplation of my travels, which, by often rumination, wraps me in a most humorous sadness.
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The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
