Marina Abramovic Quotes
Quotes to Explore
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Do you force your kids to pay attention to what's going on, or do you let them live their lives outside of it? My hope is that my child is a strong activist. That would make me most proud.
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If you are hopeful, if you are optimistic, other people want to help you. And if you are down in the dumps, other people may still help you, but I've noticed that they're walking, not running, over to you.
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The time is right for electric cars - in fact the time is critical.
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I don't know how to make Harper and Alloy want me, not just my name.
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I was real into Devo, Pavement, Captain Beefheart, and the Jon Spencer Blues Explosion.
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Rarely in broadcasting history has so much been riding on the whimsical flick of a few thousand wrists.
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When the CEO makes a decision, people don't come back on it.
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There are people who are very resourceful, at being remorseful, and who apparently feel that the best way to make friends is to do something terrible and then make amends.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I feel the audience are friends that have come to see us. That was always how we look on it in the Carter Family. I've never suffered stage fright.
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It's easier to rip somebody to shreds while you're making them laugh.
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The film business creates a large amount of waste, and I'm not immune to waste in the business.
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What happens in the media is the cult of personality. The brands who have been forced to cut their staff have been forced to take on the brands of journalists.
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But even writing the column for the 'Telegraph,' that idea of working to deadlines, which as an actor that's not something you have to do in the same way. It's excited me into wanting to do a bit more.
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There's something about having a great bottle of wine and a great cigar. Nothing compares to it.
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I didn't want to accept that people would forget me, that the government wouldn't do anything to negotiate our freedom. After a year, I came to understand that not only had one year passed, many more would come.
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I had so much fun doing Django, and I love westerns so much that after I taught myself how to make one, it's like, 'OK, now let me make another one now that I know what I'm doing.'
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My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to sell an acoustic guitar and an old reel-to-reel tape recorder to raise the money. You can do fantastic things with modern computers, but you cannot use them in the same intuitive, spontaneous way you can a VCS3.
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I remember going to see Billy Graham in a cinema in Glasgow, and he was down in London. I used to go and hear preachers, and then we always went to church and Sunday school. That mattered a lot to me.
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The composer does not want the self-sufficiency of a richly complex text: he or she wants to feel that the text is something in need of musical setting.
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Sane judgment abhors nothing so much as a picture perpetrated with no technical knowledge, although with plenty of care and diligence.
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My perspective is cultural and world-based. It's always been a global perspective.
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I want to dominate the man's world.
