Chad Kelly Quotes
Quotes to Explore
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It is nothing to die. It is frightful not to live.
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My family background was deeply Christian.
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I stayed three weeks in Paris, fell in love with the city, and decided that I was born to live in Paris.
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It was the labor movement that helped secure so much of what we take for granted today. The 40-hour work week, the minimum wage, family leave, health insurance, Social Security, Medicare, retirement plans. The cornerstones of the middle-class security all bear the union label.
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I think you live a fuller life with someone else, you know, you're firing on all cylinders. It can be a nightmare at times, we all know that, but nevertheless in the end I think to have someone else's input on anything - a book, a meal, your children, life, a walk - is fantastic.
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I live my life by these little church signs you see as you drive around, and there's one near me that says, 'If we really knew each other, we would neither idolise nor condemn.' And that's it: if we all knew each other, then we wouldn't treat anybody any different. And there wouldn't be any big stars, I guess.
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I'm quite illiterate, but I read a lot.
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The fact of leaving one's country, one's family, one's roots, can be painful. My father had already found his place, but for us, for my mother, it was very difficult to get our bearings.
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That's how you live. You participate. You take risks.
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I come from an acting family, my father was an actor, and I had to fight my way and just create my own identity.
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My dreams were always small and puny. All I ever needed was a little house with a little picket fence by the sea. Little did I know that I would live in Malacanang Palace for 20 years and visit all the major palaces of mankind. And then also meet ordinary citizens and the leaders of superpowers.
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I come from a very hospitable, close, Catholic, matriarchal family.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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And then in 1956 or 1957 my family went over to Europe and I moved over with them, and immediately people in Europe thought my perspective on that issue was 100% correct.
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Live and allow others to live; hurt no one; life is dear to all living beings.
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The pattern of a newspaperman's life is like the plot of 'Black Beauty.' Sometimes he finds a kind master who gives him a dry stall and an occasional bran mash in the form of a Christmas bonus, sometimes he falls into the hands of a mean owner who drives him in spite of spavins and expects him to live on potato peelings.
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A family may be ruined by extravagance, but it is not always through ruin that the representatives in a family are to be found in humble or comparatively humble circumstances, but that the junior members of a gentle family went into trade.
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My Aunt Marsha ruled the family with a rod of iron. She was one wicked, mean woman.
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At the end of our lives we all ask, 'Did I live? Did I love? Did I matter?'
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I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.
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I'm not really interested in being a superhero. That's not a box I've been trying to check off.
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San Francisco is an interesting place. It's always been such a nice culturally diverse environment, which it still is, but there's a lot of money there now and a lot of dot com's so it's a little different than it used to be.
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Let us be clear: censorship is cowardice. ... It masks corruption. It is a school of torture: it teaches, and accustoms one to the use of force against an idea, to submit thought to an alien "other." But worst still, censorship destroys criticism, which is the essential ingredient of culture.
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I live by family over everything.
