Chaim Potok Quotes
There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.

Quotes to Explore
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I have been offered a lot for my work, but never everything.
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People get TV deals by doing something in their grandmother's basement. It is definitely the wave. Everybody is trying to do all that stuff. I mean, the Internet is the only reason that I've gotten work is because I've somehow created a line and people have seen it. And then I've been asked to auditions.
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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A man with a silver spoon may get his share of supporters, but he can never be an inspiration for somebody! Patience and hard work are the key to every man's success.
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I've been fortunate to work with partners like Weinstein and John and Art Linson in developing 'Yellowstone' and am grateful that it has found a home in the Paramount Network. The show is both timely and timeless.
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It's because of 'ER' that I've gotten the opportunity to get the work.
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Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
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Some things is made by destiny, yes, other things by hard work, but quality you don't learn. Quality you are born with.
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I'm very close with my higher power. I have a very strong connection with it.
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I believe that in the historic and religious nature, marriage is between a man and a woman.
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I learned about M&A and how to value assets and work with investment bankers.
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I want to work with different people, and I would like to work in different places.
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I'm an actor that likes to go to work. I like going to work every day. I'm a worker by nature. I'm not someone who does one film a year and feels satisfied by that.
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I think I like playing the bad girl. I like complicated. I like flawed, messed up complicated. It's more interesting.
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I had a strong desire to become an archer from the very first time I tried it. I forgot my other ambitions. I just wanted to compete in the Olympics.
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All our own present experiences are primordial. What could be more primordial than experience itself?
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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When I became a mother of two, I decided to work with brands that remind me of family because they're my No. 1 priority. Now I'm partnering with Puffs to encourage people to get out and not hibernate inside. People should enjoy the holiday season, and if you do have a runny nose or the sniffles, Puffs is there to take care of your symptoms.
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My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that.
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A loafer never works except when there's a fire; then he will carry out more furniture than anybody.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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I deeply believe that marriage is by nature between a man and a woman, but that conviction does not prevent me from recognising that other forms of affective relationships exist.
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Great Art is Great because it inspired you greatly. If it didn't, no matter what the critics, the museums and the galleries say, it's not great art for you.
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There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.