Chanel Iman Quotes
Quotes to Explore
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I see my daft surname as a positive thing. It first dawned on me that I had a comical name when someone called me 'Fishface' on my first day at school. I've heard all the fish jokes since then, many times over.
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I have always had a horror and detestation of poverty.
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So, you know, parenting is a very intimate and amazing experience and one of the best experiences of my life.
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Anytime you have a tight race and you lose, it's not pleasant.
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I think of novels in architectural terms. You have to enter at the gate, and this gate must be constructed in such a way that the reader has immediate confidence in the strength of the building.
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It wasn't always easy getting up at 5 o'clock in the morning to go to the rink. Sometimes I wanted to just go back to sleep.
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We can have a World War, I see absolutely no reason why we shouldn't have a World Party.
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I'm a sort of nuts-and-bolts guy. I'm into turning wrenches and swinging a hammer and wrenching on cars.
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I am very lucky I got fans, and I interact with them personally. I know that they have poured their love on me unconditionally, and all I can do is work hard and be kind to them.
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Why not a space flower? Why do we always expect metal ships?
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Growing up, my mother was a very strong woman who was not very big, about 5'1'', but boy, you grabbed a tiger by the tail if you messed with her. I know grown men that messed with her, and through her wit and intelligence and her no-quit, she never lost a fight. That's very influential on me when I'm telling stories. I love exploring that.
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You have to shelve a lot of your inspiration. There's only so much you can do with one record.
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May God protect me from gloomy saints.
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World music is about taking things from different places and bringing them together - which is great.
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It vexes me when they would constrain science by the authority of the Scriptures, and yet do not consider themselves bound to answer reason and experiment.
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When I was 23, I founded an organization called Dress for Success, which is now in more than 100 cities in 8 countries and has helped a million women transition from welfare to work.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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I'm not a universalist, and the way I talk about final loss is this: People worship idols - money, whatever. Their humanness gets reshaped around the idol - you become like what you worship. That's one of the basic spiritual laws.
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As a businessman, I saw club tracks as a new franchise that could be profitable for years to come. It was like being in McDonald's and realizing that even though cheeseburgers and fries sold big, you could also make money serving up McRibs, which are always available for a limited time only.
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You're under pressure when you produce facts. You're working with facts in journalism, but you're under all kinds of formal constraints; there are expectations.
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Before 'Lucky Louie,' nobody would ever cast me to play a mom or a wife; nobody ever saw me in that role, which is weird, since that's who I really am.
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Liz Benedict, a teacher of mine at Iowa, is the person who introduced me to James Salter's work.
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If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
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I'm my own person, and I want people to know me for who I am.
