Chris Pavone Quotes
Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
Quotes to Explore
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It is more noble to give yourself completely to one individual than to labor diligently for the salvation of the masses.
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This is my favorite area in New York - the West Village is the heart of New York. I could never move somewhere else.
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Acting is in your soul.
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I'm a sort of nuts-and-bolts guy. I'm into turning wrenches and swinging a hammer and wrenching on cars.
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I'm getting married because I'm in love with a girl and want to spend my life with her. You can't live your life doing what other people want you to or you'll be miserable. At some point you just have to be yourself.
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Stories are like that. Like cities, they are built on the stones and bones of the past.
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I remember one day sitting at the pool and suddenly the tears were streaming down my cheeks. Why was I so unhappy? I had success. I had security. But it wasn't enough. I was exploding inside.
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Singles, whatever. But selling a million albums feels like an impossible thing to do.
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One of the goals of the Feminist Elite is to reinforce to women the idea that men are obsolete.
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Today's films are so technological that an actor becomes starved for roles that deal with human relationships.
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I'm in the music business for one purpose - to make money.
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Democracies can't handle austerity measures very well.
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I prefer more to kind of show people different things than tell them 'oh, here's what you should believe' and, over time, you can build up a rapport with your audience.
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I am a victim-oriented person. I like to see that the victims know that they have a voice.
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I love having my hoop earrings. Just regular gold hoops.
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I spent my whole childhood watching open-wheel racing. I spent years going to England and racing open wheel, coming back and racing open wheel. It's been my world for 20 years and beyond that. For almost my whole life, I've been watching it. I watch it and I think I know how to do it.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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A lot of people on the internet have been saying that there's no way we can pull off a musical in three acts. We just take that as a challenge.
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It's like why people read scary books or go see scary movies. Because it creates a distance. They're scared, but they're not going to get hurt.
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I'm sponsored by Audi, so I have this rather lovely rather arrangement where they just insist that I'm always in the latest model.
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I'd rather learn from one bird how to sing than teach 10,000 stars how not to dance.
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There's something about that puritanical narrative of progress and upward mobility and work ethic that the glorification of abstinence fits pretty neatly into. That pairs with the fact that 12-step recovery has had too large a monopoly on how treatment is understood in America.
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I'm very thankful; I'm very appreciative for everything that the Denver Broncos organization has done for me.
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Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
