Chris Pavone Quotes
Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
Quotes to Explore
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It is more noble to give yourself completely to one individual than to labor diligently for the salvation of the masses.
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This is my favorite area in New York - the West Village is the heart of New York. I could never move somewhere else.
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Acting is in your soul.
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I'm a sort of nuts-and-bolts guy. I'm into turning wrenches and swinging a hammer and wrenching on cars.
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I'm getting married because I'm in love with a girl and want to spend my life with her. You can't live your life doing what other people want you to or you'll be miserable. At some point you just have to be yourself.
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Stories are like that. Like cities, they are built on the stones and bones of the past.
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I remember one day sitting at the pool and suddenly the tears were streaming down my cheeks. Why was I so unhappy? I had success. I had security. But it wasn't enough. I was exploding inside.
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Singles, whatever. But selling a million albums feels like an impossible thing to do.
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One of the goals of the Feminist Elite is to reinforce to women the idea that men are obsolete.
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Today's films are so technological that an actor becomes starved for roles that deal with human relationships.
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I'm in the music business for one purpose - to make money.
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Democracies can't handle austerity measures very well.
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I prefer more to kind of show people different things than tell them 'oh, here's what you should believe' and, over time, you can build up a rapport with your audience.
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I am a victim-oriented person. I like to see that the victims know that they have a voice.
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I love having my hoop earrings. Just regular gold hoops.
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I spent my whole childhood watching open-wheel racing. I spent years going to England and racing open wheel, coming back and racing open wheel. It's been my world for 20 years and beyond that. For almost my whole life, I've been watching it. I watch it and I think I know how to do it.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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A lot of people on the internet have been saying that there's no way we can pull off a musical in three acts. We just take that as a challenge.
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People buy a chair, and they don't really care who designed it.
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There are other writers who try for subtle and minimalists effects, but I don't travel in that tribe.
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If you're going to go to a festival, drink water for six days before you get there.
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Well used are those cruelties (if it is permitted to speak well of evil) that are carried out in a single stroke, done out of necessity to protect oneself, and are not continued but are instead converted into the greatest possible benefits for the subjects. Badly used are those cruelties which. although being few at the outset, grow with the passing time instead of disappearing. Those who follow the first method can remedy their condition with God and with men; the others cannot possibly survive.
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I don't think my father considered allowing a teenager to follow his dreams was necessarily good parenting, or even parenting. I think he thought I was a teenager with teenage impulses. I'm pretty sure he knew that if he just let me follow those impulses, it would wind up being very expensive and perhaps even life-endangering.
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Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
