Chris Pavone Quotes
Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
Quotes to Explore
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It is more noble to give yourself completely to one individual than to labor diligently for the salvation of the masses.
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This is my favorite area in New York - the West Village is the heart of New York. I could never move somewhere else.
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Acting is in your soul.
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I'm a sort of nuts-and-bolts guy. I'm into turning wrenches and swinging a hammer and wrenching on cars.
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I'm getting married because I'm in love with a girl and want to spend my life with her. You can't live your life doing what other people want you to or you'll be miserable. At some point you just have to be yourself.
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Stories are like that. Like cities, they are built on the stones and bones of the past.
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I remember one day sitting at the pool and suddenly the tears were streaming down my cheeks. Why was I so unhappy? I had success. I had security. But it wasn't enough. I was exploding inside.
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Singles, whatever. But selling a million albums feels like an impossible thing to do.
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One of the goals of the Feminist Elite is to reinforce to women the idea that men are obsolete.
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Today's films are so technological that an actor becomes starved for roles that deal with human relationships.
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I'm in the music business for one purpose - to make money.
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Democracies can't handle austerity measures very well.
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I prefer more to kind of show people different things than tell them 'oh, here's what you should believe' and, over time, you can build up a rapport with your audience.
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I am a victim-oriented person. I like to see that the victims know that they have a voice.
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I love having my hoop earrings. Just regular gold hoops.
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I spent my whole childhood watching open-wheel racing. I spent years going to England and racing open wheel, coming back and racing open wheel. It's been my world for 20 years and beyond that. For almost my whole life, I've been watching it. I watch it and I think I know how to do it.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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A lot of people on the internet have been saying that there's no way we can pull off a musical in three acts. We just take that as a challenge.
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The greatest sin is carelessness.
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In the early '60s, it was still a fairly subversive thing, though, to say that you should take a painting, cut it, set it on fire, step on it, hammer nails into it.
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The concept of logical thinking is selection and this is brought about by the processes of acceptance and rejection. Rejection is the basis of logical thinking.
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The sandy cat by the Farmer's chair Mews at his knee for dainty fare; Old Rover in his moss-greened house Mumbles a bone, and barks at a mouse. In the dewy fields the cattle lie Chewing the cud 'neath a fading sky; Dobbin at manger pulls his hay: Gone is another summer's day.
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I think I approach all of my writing in the same way. I mean, it's my job, and I'm committed to it. I don't just float around and wait for some muse to call.
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Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
