Chantal Kreviazuk Quotes
I've found that in now having experienced what it's like to make records and just through growing up in general that you should be expressive about what's affecting you instead of trying to sing about a subject just for the sake of other people getting something from it.

Quotes to Explore
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For most people, it is enough for the world to know that they aspire. The world does not ask what their aspirations are, trusting that those aspirations are for the best and greatest things. But with regard to the Negroes in America, there is a feeling that their aspirations in some way are not consistent with the great ideals.
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These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
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I met wonderful people playing in the NBA. Whether it is the officials, the scorekeepers, all the people who work for the NBA, not just for the Lakers, but I'm talking about just for the league itself.
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And the American public was able to make up their own mind whether this verdict was a just verdict or not. So I think there's a lot of value in the public being able to see how the system works or doesn't work, so I think there's a definite value there.
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Growing up on a farm was the best. I remember loving that expanse of space. The sky at night was so clear, I could see every star.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I just want to make a classic. Classic is the standard. I'm just trying to make music that will last a lifetime.
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I had a high school sweetheart that was my first. We were together all through high school. I had just broken up with him because I didn't think I was good enough. He wanted to be an anesthesiologist. I wanted to be an entertainer. His life was more planned out, and mine wasn't.
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When I sing, people shut up.
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The loneliest Chinese man I ever met lived halfway up the Three Gorges, in Sichuan Province.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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I don't have any plugs or tucks but people do what they want. I look at it as mutilation.
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People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
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I gave up school. I gave up a really, really good job. I gave up a lot of stuff. I cut a lot of people out of my life so I could just focus on my fighting dreams.
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Children are educated by what the grown-up is and not by his talk.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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Every little girl looks up to her mom so much - that's your first hero.
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Dracula, if he could see modern corporations, wouldn't like them much. He took care of his people, at least as he saw it. They had very little freedom, but they had a protector.
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I'm just like any other man. I understand why people become reclusive. One of my weaknesses is that I sometimes allow people in that shouldn't be in my life.
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The world owes all its onward impulses to men ill at ease. The happy man inevitably confines himself within ancient limits.
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When you explore a scene, the most important thing is who to cast.
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I found myself thinking about the distance between the 60s and today through certain moments. Like the Henry Flynt interview with Ubuweb founder Kenny Goldsmith, where he talks about how he was scarred by how proud John Cage was to be ignorant of popular music. Goldsmith says, "Nobody thinks twice nowadays about listening to everything!" Something that had seemed so uniquely, radically syncretistic in Flynt's day seems much more commonplace now.
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I've found that in now having experienced what it's like to make records and just through growing up in general that you should be expressive about what's affecting you instead of trying to sing about a subject just for the sake of other people getting something from it.