Chris Robinson Quotes
I make decisions based on my work, not based on meetings with my business managers, who I don't like to meet.
Quotes to Explore
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I don't know how many people have ever seen the National Guard break in somewhere, but they mean business.
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In Europe, we will work towards having a common stance, while in France, we will strengthen our protection for asylum seekers whose lives are in danger because of their sexual orientation.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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Once you start a business, you have to grow it and grow with it - starting a business is not just for Christmas.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!
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The workingmen have perceived that women are in the field of industry to stay; and they see, too, that there can not be two standards of work and wages for any trade without constant menace to the higher standard.
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I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
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I cannot imagine a more enjoyable place to work than in the Laboratory of Molecular Biology where I work.
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My mountaineering skills are not important to my best photographs, but they do add a component to my work that is definitely a bit different than that of most photographers.
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The one thing that's going to get you through this business is having strong roots, being grounded and knowing what is true.
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People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
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I invited a group of students to my studio to expose them to both the creative and business sides of the fashion industry. It was fun because the group was so bright and full of curiosity. They asked really challenging questions about all aspects of the business and absorbed so much information so quickly.
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To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
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The drills we do, where you're telling kids to memorize things, don't actually work. What works is engaging them and letting them do things and discover things.
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I think a generation ago, dads went to work, they came home, and they had their dinner, had a drink, and then went to bed. I don't know what it was like in your house, but that is how it was in mine. I think it is cool to have the dads in the trenches and doing the real parenting work.
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Ukrainian business must really embrace global competition. We need to understand that competition for resources and clients is not with competitors from across the street or from another city, but with millions of businesses around the world.
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I think one of the primary themes in my work is the paradox of memory, at once fundamental to our sense of who we are and yet elusive, ever-changing, fragmentary. One way to look at this is to say that, therefore, we ourselves are elusive, ever-changing and fragmentary to ourselves.
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I'm motivated every second by my work; it doesn't switch off. The pictures I make come from every blink of my lashes.
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You know what, I'm happy to say that everything outside of 'Dexter' feels like a vacation, and I don't mean to say anything negative about the show. It's just a different kind of work. Emotionally it's taxing and complicated, and that's a great thing.
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It was really fun being in Tara's trailer, working on my lines. Tara is such an amazing actress. She's so good at what she does. I learned a lot from watching her.
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We are looking for ways to decrease the dropout rate. I am pretty sure, if we eliminate career and technical education, we are going to increase the dropout rate.
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You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.
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I make decisions based on my work, not based on meetings with my business managers, who I don't like to meet.
