Chris Robinson Quotes
There have been multitudes of times in my career where I could have taken an easier road or a more commercial path, and I've been just like, 'That's not gonna make me happy.'
Quotes to Explore
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I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.
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Every group has its idiosyncrasies, but at a certain point we all are human.
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I don't know the right way to retire.
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The hair department on 'Game of Thrones' is incredible.
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One shouldn't know the future.
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The whole point of music is being able to share your story. I've been songwriting for a long time, usually while on the road, as a way to get my feelings out.
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One element of Madonna's career that really takes center stage is how many times she's reinvented herself. It's easier to stay in one look, one comfort zone, one musical style. It's inspiring to see someone whose only predictable quality is being unpredictable.
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The act of longing for something will always be more intense than the requiting of it.
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Roddenberry had created quite a complex and at times mysterious character. Guarded, cautious, careful in showing his feelings in expressing his ideas about many things - I found that very interesting.
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The quality of TV, I think, is at an all-time high. The problem with it is the way that we end up consuming it - generally a cable box. A satellite receiver is, to me, nothing more than a glorified VCR.
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Marinating chicken in miso adds lots of character to the meat with little work.
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In business, every phase of things counts. Companies that just yell out a low price today to win business aren't going to make money in the long term.
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I do watch 'Revenge,' 'American Horror Story' and 'Game of Thrones.' I am behind on all of them. But I do watch them. Those are my go-to shows.
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I really do miss playing basketball. I don't play a lot of pick-up games. But I do like using basketball as a form of cross training.
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I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.
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Cage's Music of Changes was a further indication that the arts in general were beginning to consciously deal with the 'given' material and, to varying degrees, liberating them from the inherited, functional concepts of control.
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I grew up with the idea of the cyborg and the robot, but at the same time I felt this intense disconnection between the things I was engaged with and inspired by in terms of fun and play. It seemed like paintings and drawings were so static.
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I don't talk much to offensive linemen in general.
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In a way, I don't want to know what's being said in casting offices, because it can get pretty brutal, and I don't want to have to think about the reasons why I don't get one job or do get one job. I can say, 'Oh, my height,' and that'll make me feel better, but I don't know for sure.
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Some readers will no doubt say that a devil is inside me; and though my faith is a bit like Magic FM in the Chilterns, in that the signal comes and goes, I can only hope that isn't so.
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Later, in the afternoon, I read what I did that morning. It's almost always a surprise. But I can read it rationally; edit, polish, re-write, and think what I might do tomorrow in the early darkness.
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My own career was undoubtedly determined, not by my own will but by various factors over which I have no control-primarily those mysterious glands in which Nature prepares the very essence of life, our internal secretions.
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I'm very happy with how Jaleo in Las Vegas came together.
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There have been multitudes of times in my career where I could have taken an easier road or a more commercial path, and I've been just like, 'That's not gonna make me happy.'
