Chris Squire Quotes
Because of all the various people who've come in and out and brought along ideas, I've been on a learning curve throughout all these years. Of course, everyone that's been involved has influenced me as well. And I'm grateful for that.
Quotes to Explore
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I try not to have favorites, but Barfly is one that I like. My favorite is always the one I just finished.
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In the electronic game world, I know I have a reputation for doing the cyberpunk thing, and for doing the serious epic fantasy thing, but if you go back to when I was a kid, I've been a Disney fan all my life.
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Life is too short to blend in.
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Novelists should be like scientists, dissecting the cadaver.
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I have always been delighted at the prospect of a new day, a fresh try, one more start, with perhaps a bit of magic waiting somewhere behind the morning.
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I believe the collapse of the House of Windsor is tied in with the collapse of the Church of England.
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If I can just be thought of as Omari Hardwick who had a really, really solid career, and whose work is appreciated in its own right, I think that would be a great legacy to leave behind.
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In all my movies, be it 'Page 3', 'Chandni Bar' or 'Corporate,' I have tried to depict honesty and reality.
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Usually people are questioning my athleticism more than my femininity!
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We are saved by grace, not by the works of the law. But don't be so quick to write the law off.
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We are not saints, but we have kept our appointment. How many people can boast as much?
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I just know you can not be on top forever. There's always going to be the next guy, and if I'm going to go down, I'd like to know I helped the next guy take my spot. You can't prevent the inevitable, but you can join the ship.
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Many of us will be obsessed with one or another kind of secret or revelation, be it gossip about friends or ourselves, a fantasy about spies, or a worry about the most personal information now stored in data banks. But few of us think about secrets in general, or about the moral rights and wrongs of hiding or exposing them.
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I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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Only the consciousness of a purpose that is mightier than any man and worthy of all men can fortify and inspirit and compose the souls of men.
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I found that female pathfinders generally integrate characteristics commonly associated with being women - like the capacity to be intimate - with 'male' ones like ambition and courage.
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Dolomite is a whole mess of stuff, a mixture. It gets characterised as 'a stuff' because of the interest of oil geologists. It would have been a nonentity were it not for its applications.
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'It was as true,' said Mr. Barkis, 'as turnips is. It was as true,' said Mr. Barkis, nodding his nightcap, which was his only means of emphasis, 'as taxes is. And nothing's truer than them.'
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What's hardest for me to swallow is when there is a love story, say, with a really high-profile male star and there's no reason I can't play the part. They say, 'Oh, we love Halle, we just don't want to go black with this part.'
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The nicest thing about standards is that there are so many of them to choose from.
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I don't care what people do. I don't care how people remember my albums. I do them for my own reasons.
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I like commas. I detest semi-colons - I don't think they belong in a story. And I gave up quotation marks long ago. I found I didn't need them, they were fly-specks on the page.
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Because of all the various people who've come in and out and brought along ideas, I've been on a learning curve throughout all these years. Of course, everyone that's been involved has influenced me as well. And I'm grateful for that.
