Chris Van Allsburg Quotes
People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
Quotes to Explore
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Iranians defend and present their Islamic and Iranian identity to other people worldwide.
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Often people display a curious respect for a man drunk, rather like the respect of simple races for the insane... There is something awe-inspiring in one who has lost all inhibitions.
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No one succeeds without effort... Those who succeed owe their success to perseverance.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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When we announced that we were going to support Bitcoin companies, we became a great lightning rod for activity and fun.
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I'm not very cool. I have a really hard time meeting people and stuff.
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We had to go all through the night thinking that our baby was dead. When God showed him to us, he wasn't dead, he was sucking his thumb. God had him safe and sound. He is a miracle. He is so healthy, so perfect, and God has really, really blessed us.
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It was easy to persecute me without people feeling ashamed. It was easy to vilify me and project me as a woman who was not following the tradition of a 'good African woman' and as a highly educated elitist who was trying to show innocent African women ways of doing things that were not acceptable to African men.
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You have to grow thick skin and that only comes with time and learning.
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I don't know what impression you might have of the way I live. I live in a quiet place. I do not live as a hermit, though other people would prefer it if I did.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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Seeing death is not as difficult as you might think. What's harder is to see people suffer. It's the people the dead left behind that get to you.
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I shall, in due time, be a Poet.
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At the New York Athletic Club they serve amazing food. People go there, get healthy, and then eat themselves to death - which is, I suppose, the right way to do it.
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Unlike people, companies outlive their founders and their leaders.
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I find that, maybe because I'm also a singer, I hear music in characters all the time, even if they don't sing. I hear what affects me in my heart.
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A wonderful but kind of a terrible truth about acting is that you actually get to a point where you become content with an impossible task: it is really impossible to properly prepare. You kind of have to start over every time.
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There are times when you're working with film people when you have to say, 'If the camera were on you, what you're doing would be perfect'.
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You know Marques Houston, you know I'm a dancer, I'm a singer, but I wouldn't want to do a movie that I'm a dancer and a singer in. I want to do movies that people can take me more seriously in as an actor, because when you're making that transition, it is tough.
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Standing on the apex of our planet is humbling. I'm starved of oxygen, depleted of reserves, unable to eat, and bound by anxiety. This is a dangerous place. Yet the symbolism of standing on top of the world gives me a chance to experience time on a cosmic scale.
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Some memories are unforgettable, remaining ever vivid and heartwarming!
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In silent films, quite complex plots are built around action, setting, and the actors' gestures and facial expressions, with a very few storyboards to nail down specific plot points.
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People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
