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We're banned from a whole lot of hotels, and we're running out of hotels we can stay in.
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If it's genuinely new, when people are hearing it, they're not really gonna be comfortable because they haven't heard it a thousand times before.
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Arrogance generally is a bad thing, but with a band, somehow you have to have this gang mentality or this certain degree of arrogance to push forward an idea that's new enough that people aren't comfortable with it at first.
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Having to wake up at seven and go take the subway every morning, having to get over there with all these commuters and see every possible face of humanity and realizing that you're just the same as these other people is actually an amazingly positive thing.
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Thinking about the cold weather in England... Don't be afraid to rock the David Niven look.
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Wine is similar to music in that it's a purely experiential realm, and it's a purely subjective practice. That's sort of the funny thing about wine criticism or, for that matter, music criticism. At times, those are useful guides, but ultimately it's all about how you react to that music or wine.
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London cabs always dis me. I purposefully give them a good tip because I'm trying to straighten up the image where they don't want to pick up some shady-looking, bummy kid like myself. I'm trying to teach them that if you pick up the bummy-looking kid, you still get tipped, man. But they still jerk me around.
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I know for myself, and maybe I'm weird or whatever, but the whole thing is about constantly redefining identity.
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Things change. I used to have a real resistance to it and hold on to things, but let things happen and go with it, and you will actually go through it, and it's a lot less stressful.
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With '5 Boroughs,' we were each working on beats, sitting in front of our laptops and samplers.
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I don't like the George Costanza-style wallet.
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It's really hard to find a lot of things that rhyme with Michael Diamond.
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There is an overall seriousness in tone that pervades 'To The 5 Boroughs.'
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The amazing thing about music is that however many thousands of records I've got now, I know that there are still thousands more that I haven't even begun to discover.
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I kind of idolized older punk-rock and hip-hop bands, and I was, like, 15 when I started the Beastie Boys. And what business did we having doing that at that age?
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When you get to a point where you're not beholden to a record company, then it's up to you to say, 'OK, enough knob-turning. We're done.'
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We did make fools of ourselves, but people were into it.
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I'm in need of a man apron. A very manly apron.
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I have no idea about the state of rap. I don't pay attention. I just listen to old music that I have.
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Sexism is deeply rooted in our history and society that waking up and stepping outside of it is like I'm watching 'Night of the Living Dead Part Two' all day, every day.
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When I was growing up in New York, we were the anomaly. Our family stayed, but back then families didn't stay. Once you had a second kid, you immediately left, so the kids could run around outside.
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It's never been our intention to sell millions of albums, but if our message touches that many people, then so be it.
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I was showing up at the studio all the time with no bag, being like, 'I don't want to have a backpack. I've had backpacks my whole life, and I'm a grown man now. I should have something better.'
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Japan is brilliant for vinyl. There's all this rare stuff that I've been looking two years for, and you walk into a store, and you find it straight away.