Béla Fleck and the Flecktones Quotes
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It's rare that I ever meet a musician who doesn't agree that music is a language. But it's very rare to meet a musician that really treats it like one.
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You are never more than a half-step away from a right note.
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So it doesn't have to be happy music to be inspiring.
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Never lose the groove to find a note.
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I always try to work with people who are better than me, so I can learn more.
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The Bassbone works great in the studio or on the live stage. Throw it in your gig bag and take it wherever you go.
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Steve Lawson is a brilliant musician. I've known about him and listened to him for many years. He may not be one of the most famous bassists but he is definitely one of the most talented.
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You can't speak Music with notes alone, but you can speak Music without notes at all!
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A politician is not allowed to get too emotional in public, so what he does is drop subtle hints that, over time, cause the public to get emotional. Once the same emotions are generated by enough people, the politician can use it to steer the public in his desired direction. Fear is an emotion that is often used this way. A smart politician knows that if he can create fear in enough people, those people will give up what they truly want in order to give the politician what he says they need.
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A child playing air guitar plays no wrong notes
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I doubt anybody would have pushed me on the music. When I was at Sony nobody ever gave me any creative suggestions on the music.
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Tim Price has captured my imagination on many occasions with his forward thinking arrangements and wonderfully captivating playing. He is a unique musician made more unique because he has searched and found his own voice. Truly a rare find in music.
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I don't know enough about hip-hop, though I've heard some great hip-hop. I just did a thing with Qwest Love - we did a performance together in Memphis at the Folk Alliance Festival, and we had a great jam and a conversation.
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I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
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I consider music to be a service and I am trying to serve the music, the musicians and the audience the best I can at every moment.
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In some instances, music is actually better than the spoken word, because it doesn't need to be understood.
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There's a lot of hip-hop that would be great with a banjo in it. It would just groove like crazy, and I hope I get to be one of the guys who does that, because it's coming. It's coming.
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Music comes from the musician, not the instrument.
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Theo Wanne has done it again!!!!!! He has brought a new dimension in mouthpieces that will not only stand the test of time, but will be a benchmark mouthpiece for many, many years to come! The bar has been raised.
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There are a lot of chapters to the banjo's history. Part of it are the roots in Africa, where it's a more primitive instrument. Then it comes to the United States where it morphs into the slave music that they created here, which was very African in origin.
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They think the banjo can only be happy, but that's not true.
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Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
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I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.
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I first heard the banjo on the Beverly Hillbillies, and from then on I was banjo-conscious. But I didn't actually get one until my grandfather gave me one, almost by mistake. He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.