The Birthday Party Quotes
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I have to be able to see the thing that's going on that I'm writing about, or else it just doesn't make any sense to me.
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Stars have their moments then they die.
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The concept of God in America is very different than it is in England. Because we see the horrendous outcome of religion as being an American thing, in which the name of God has been hijacked by a gang of psychopaths and bullies and homophobes, and the name of God has been used for their own twisted agendas.
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My muse is my wife. It's not some vague thing that flutters around the astrosphere or wherever it is. Sometimes as a songwriter you need something to hang a song on, to give it some kind of presence and form. For me, Susie is that.
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Well, as anyone who actually writes knows, if you sit down and are prepared, then the ideas come. There's a lot of different ways people explain that, but, you know, I find that if I sit down and I prepare myself, generally things get done.
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When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.
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And I kissed away a thousand tears My lady of the Various Sorrows Some begged, some borrowed, some stolen Some kept safe for tomorrow.
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I'm a kind of hard-wired pessimist. I can't help but see the world in a certain kind of way.
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Writing is a necessary thing for me, just to keep myself level. It has beneficial effects on my life.
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I'm not a misogynist, so you can dispense with that. I think I've done wonders for the feminist movement.
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I've had to try and find a way over the years of writing narratively that doesn't really require you to sit down and work out what the story's about. You're brought into a sort of sequence of images that have that emotional resonance, but it's kind of irrelevant what the actual story is. It's taken me maybe 13 albums or something to work that out.
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I love being manipulated by what I see. I love weepies and romantic comedies where you're reaching for the Kleenex at the right moment.
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I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a god.
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It's a wonderful life if you can find it.
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At some point you start seeing the difference between what you really want, and what is your priority order. I feel that today I know what I want. That's the problem with perspective, as well as focus and concentration.
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I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?
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I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.
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I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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What I want people to recognize is that we have to keep working together and take charge because we all have the same story.
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The way people reacted to me in dressing rooms and so on was incredibly aggressive. They know every record and they seem to think they should nudge me or bump into me as they go past. It was this incredible performance that used to amuse me. In the early days, people were drawn towards us like they'd be drawn towards a car smash...There is a definite relationship between that fanaticism and the fan that, as a performer, you expose more of yourself, of the undercurrents of your personality. Most rock personalities subdue that or choose not to explore it.
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Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
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Who knows their own story? It certainly makes no sense when you’re in the middle of it...
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The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
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Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.