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I love being manipulated by what I see. I love weepies and romantic comedies where you're reaching for the Kleenex at the right moment.
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Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.
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I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don't have a bunch of notes that I bring into the office, I start with nothing at all.
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What I want people to recognize is that we have to keep working together and take charge because we all have the same story.
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I look at you and you look at me and deep in our hearts know it That you weren't much of a muse, but then I weren't much of a poet...
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I know when I sit with my band members and we're playing back a song that we've done, I know that they're experiencing it in a completely different way and hearing stuff that they're alerted to because the way the interpret the world is through their ears. Mine is through my eyes.
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Death looms large I guess because it should. It's the one thing that we as human beings from birth have a right to. It's the only thing we've really got, and I don't mean to sound bleak about this, but it's a unifying factor amongst us all.
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I've spent my life butting my head against other people's lack of imagination.
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No wonder sorrow doesn’t smile much. No wonder sadness is so sad.
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I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me...
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I am the captain of my pain.
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I write songs in batches and then record them and then can't write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.
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I don't really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
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I don't like those songs where you have to listen to a story to get into them. I don't want to have to pay attention to music in that way, I just want it to hit me in the heart and do what music's supposed to do.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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I've always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
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I feel very much a part of what I'm writing about, and I'm writing about things that concern me on a daily basis. I'm not really interested in writing musical diaries, if you know what I mean.
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You don't meet a lot of people that you really like. I don't anyway.
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Anything that I'm doing I'm writing specifically for a particular project.
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Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
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I was reading The Bible a lot through my 20s, mostly the Old Testament, just because I was knocked out by the language and the stories. I felt that the God being talked about there, who was this insane, vindictive patriarch - it was kind of thrilling, and titillated something in me at the time.
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I have a very strange relationship in general with women around my music. There's some that understand it and some that think there should be a law against it.