The Birthday Party Quotes
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I'm unable to really write the kind of song that doesn't have a visual element, which most songs don't.
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I've spent my life butting my head against other people's lack of imagination.
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I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.
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What I want people to recognize is that we have to keep working together and take charge because we all have the same story.
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I love being manipulated by what I see. I love weepies and romantic comedies where you're reaching for the Kleenex at the right moment.
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Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.
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It's a wonderful life if you can find it.
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Death looms large I guess because it should. It's the one thing that we as human beings from birth have a right to. It's the only thing we've really got, and I don't mean to sound bleak about this, but it's a unifying factor amongst us all.
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I look at you and you look at me and deep in our hearts know it That you weren't much of a muse, but then I weren't much of a poet...
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Most of the time, feelings just seem to get in the way. They're a luxury for the idle, a bourgeois concept. Feelings are overrated.
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I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don't have a bunch of notes that I bring into the office, I start with nothing at all.
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No wonder sorrow doesn’t smile much. No wonder sadness is so sad.
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I was reading The Bible a lot through my 20s, mostly the Old Testament, just because I was knocked out by the language and the stories. I felt that the God being talked about there, who was this insane, vindictive patriarch - it was kind of thrilling, and titillated something in me at the time.
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I've always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
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I don't really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
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Anything that I'm doing I'm writing specifically for a particular project.
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I am the captain of my pain.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me...
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I don't like those songs where you have to listen to a story to get into them. I don't want to have to pay attention to music in that way, I just want it to hit me in the heart and do what music's supposed to do.
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I feel very much a part of what I'm writing about, and I'm writing about things that concern me on a daily basis. I'm not really interested in writing musical diaries, if you know what I mean.
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The more information you have, the more human our heroes become and consequently the less mysterious and godlike. They need to be godlike.Nick