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Mr. Brad Delp. J'ai une ame solitaire. I am a lonely soul.
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Music doesn't have to have lyrics; it doesn't have to be a particular type of music - it has the ability to bring out really strong and hopefully good emotional reactions in people.
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I'm a total rink rat. I can do the toe loop, the lutz, a flip, and the Scholz. That's one I invented. It's like me - you jump, you rotate in the wrong direction, and you land on the wrong foot.
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Fun is when you're writing a song and you're trying a rough shot at a demo and... it works. That's when it's fun. After that, it's work.
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I know everything that you can do with digital processing and digital editing inside and out, but I absolutely refuse to push the buttons and don't even want to know how to load and unload the files.
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I take complete and sole responsibility for my present situation.
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I heard 'More Than A Feeling' for the first time when somebody came running into my office in the engineering department and said, 'Your song's on the radio in the drafting department!'
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All I want is to have my peace of mind...
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Someone will say, 'Well, that's good enough.' As soon as I hear 'Good enough,' it really bothers me. I spend as much time as I think I can on anything I do. I try to do that with the people that work with me. I try to get the best out of them.
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All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
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I didn't touch a guitar until I was 20.
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The studio work is the nasty, tedious, hard and nerve-wracking part, interrupted by moments of exhilaration. Playing live is the chance to actually have some fun and get on a stage.
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Analog sounds so much better. I frankly can't listen to digital audio for more than a few hours without really starting to hate what I'm listening to. Even decent 24-bit digital resolution really irritates me after a while.
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There aren't a lot of cover bands that do Boston material or do it well, and the reason for that is that they are hard to play. So we put a lot of work into it. The musicians that I've managed to surround myself with after all of these years are individuals who really excel at what they do.
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The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
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I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.
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When you sign with a major label there is no guarantee that they are going to release it either unless you have a guarantee clause or a marketing clause.
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I played in a couple of really crummy bands, including one in the dorm I was in at MIT, for a year or two.
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I would be involved with music whether I had a career or not. I'm always going to be writing songs and recording them.
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I take chances. I don't limit myself. I don't think anybody who listens to Boston would have predicted hearing a female rapper on the beginning of the song 'Sail Away.' But that's what fit.
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Unix in particular is very poor at network printing.
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When I write a song and come up with an arrangement and a vocal part, it's always a challenge trying to find a singer who can interpret it sort of the way that I hear it, and it's a very difficult thing to do. I mean, singing is like playing an instrument - everybody does it a little bit different - singing maybe even more so.
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I stay very much undercover and behind the scenes - most places I go, people don't know how important I am. But I will admit that my favorite piece of clothing to wear out is an old T-shirt from a Boston tour that does have a Boston logo. But that doesn't change anything.
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Music is an escape for me.