Camper Van Beethoven Quotes
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If your financiers care about the movie, they will be involved in a very constructive fashion, but it can get out of hand very quickly, and that is something to be aware of in any type of filmmaking.
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With 'Pete's Dragon,' Disney was very excited about the movie I wanted to make; they were very supportive of it, and it was a smooth process. I was really surprised by that.
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I'm happy to keep making Disney movies.
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My wife and I, we knew each other back in 2001 but had fallen out of touch. One day, I had a dream about her and wrote her a note on Facebook - I was living in L.A. at the time - and that turned into six months of just letter-writing. It started off with Facebook messages and turned into emails and eventually became actual hand-written letters.
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I often conflate the domestic and the cosmic on a daily basis.
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I guess you can't really turn a camera on outside in Texas without getting Terrence Malick comparisons.
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I'm not searching for the meaning of life, but I'm looking for a meaning within my life.
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I know I have trouble watching my own films.
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Especially in the Western world, so much of our cultural ideas about grieving is about us, and I think it's important to get beyond that sometimes.
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Dramas are incredibly compelling. I feel like 'Silver Linings Playbook' is a drama, but because it's funny, people market it as a comedy.
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I'm an atheist. I don't believe in the afterlife, but I do believe in ghosts.
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When you cut from a long shot to a close shot, you're doing it for a reason, or if you let something stay in long shot for a long take. On the short films, I was teaching myself how to express something personal cinematically, how to use the language of film the best I could.
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I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity.
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I realized that filmmaking is an eminently scalable act. No matter how big or how small, there's joys and stresses that will all scale themselves magnificently to fit the production.
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In the past, I'd been sort of a fan of writing a coat hanger of a script, and something I could hang ideas off of.
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The idea that all we have is everything that's come before us, and we are the accumulated weight of our own personal histories, is a beautiful concept. And yet it also leaves you asking, 'Is that all there is? Is that all that defines us? Is that all we have?'
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I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.
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I had been stopped a couple of times -- once in a Lexus and in a Blazer. Both of the cars had factory sound systems. I understand the citizen's position on noise, but the city was towing cars that didn't have loud sound systems. When it happened to me, I knew there was something wrong.
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'Ain't Them Bodies Saints' wound up becoming a love story even though it was not initially meant to be one.
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We build our legacy piece by piece, and maybe the whole world will remember you or maybe just a couple of people, but you do what you can to make sure you're still around after you're gone.
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I love 'Peter Pan' to death. It's one of the most influential pieces of storytelling in my life. It made a huge impact on how I grew up. I love the cartoon. I love the 2003 version.
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One of my favorite rules of writing: stop whenever it's feeling really good so you have something to look forward to the next day.
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I'm sentimental to a fault.
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I love animals and their behavior. I watch cat videos all the time.