Weezer Quotes
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I'm often troubled by a very strong instinct to share everything that's going on with me. I want to feel that connection, even with people I don't know. Then this other voice says, 'That's not prudent. People will use what you've said to hurt you.'
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Rock and Roll Over' was the first Kiss album I heard, but I was totally oblivious to their whole image and the makeup and all that. I was so out of touch with the wider world.
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I just gotta keep reminding myself: Every time I do an interview or something, my volition really has to be just to serve, to help people. Not to feel like I'm important.
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I don't ever want anyone to think that I'm being judgmental. I gotta do everything I can do to not be preachy.
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I've done a few things on the side here and there, but there is not much reason to do so in a sustained way. I'm generally able to say what I want to say within the context of Weezer.
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It seems like Weezer has gotten better and better at getting attention for everything besides our music. Part of that is just the nature of our culture now - you really have to scream to get some attention, so people even know you have a record out that they might want to listen to.
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I always loved the 'L.A. Weekly.' I totally looked up to it when Weezer was starting out, and I always wanted to be in it, and they always totally ignored us!
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I think I've been skeptical of violent passion for a long time. I think 'Pinkerton' is about that a lot - seeing how, every time I've felt really passionate for someone, as soon as I 'acquire' them or feel like I've acquired them, the passion goes away.
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I have a natural instinct to feel guilty and that I've let people down. I've apologized in more songs than 'Back to the Shack.' Going back to our second record, the closing lines are 'I'm sorry, I'm sorry, I'm sorry.' It's definitely part of my personality.
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I've tried every which way for writing lyrics - everything from using really bizarre imagery and metaphors, sort of obscuring the facts of what I'm singing about, all the way over to a song like 'Losing My Mind,' where you're just reading my thoughts as they're occurring.
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I meditate two hours a day, and every year I do one big long meditation course. I love it, and I'm really into it.
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With no faith, purely as a scientific experiment, I started meditating and watched if it changed my music. It did, but it didn't make it more mellow. It made it easier to get into the flow of creativity.
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Rock guitar has been around for decades now, and there are so many strong traditions, and so much of it is just burned into my fingers. So, nine times out of 10, when I pick up the guitar to jam something, it sounds pretty cliche.
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The bonds you make with those records when you're 14, 15 and 16, they'll never be broken, and nothing will ever be as strong as that.
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I think if I wasn't a musician, I would be a high-school band director or orchestra director. I like working with large groups of musicians and bringing out the dynamics and accomplishing something as a team.
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When 'Nevermind' came out, my roommate had the CD. At first, I actually thought, 'This is too polished and commercial.' It was a little off-putting. But then I was like, 'This is the best music ever.' It felt so close to what I wanted to do.
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I love writing songs. One of the toughest things is structure; it just works when you use verse, chorus, verse, chorus, bridge. And as soon as you become aware of that formula, you start to have a bad conscience when you write with that particular structure.
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I listen to music a lot on the treadmill - I would test 'Raditude' songs out on the treadmill.
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Most people don't really need to hear a six-minute guitar solo that modulates between five keys and time signatures. What they want is a good song.
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I've always thought of myself as so unsuited to be a frontman.
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In some ways, I feel like I was Nirvana's biggest fan in the Nineties. I'm sure there are a zillion people who would make that claim, but I was just so passionately in love with the music that it made me feel sick. It made my heart hurt.
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I think probably with any performer, but maybe with rock music especially, the audience wants to see the singer being real, and exploring, and not doing a rehearsed routine, so I'm just constantly looking for new things to try. I'm really curious out there, and my curiosity has led me into all kinds of bizarre situations.
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At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
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I meditate an hour in the morning and an hour in the evening. Once a year I go away for a long retreat. And overall, I just feel more comfortable in my own skin and less anxious, less sad, less fearful.