Rush Quotes
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Half the world hates What half the world does every day Half the world waits While half gets on with it anyway.
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I think you just have to cross your fingers that there's enough artists out there that keep producing interesting work, and eventually it will form a kind of wave that will force people to pay attention to it.
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I'm a big believer of daylight in the studio.
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Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
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And on top of that, when we work together we have a wonderful working relationship we push each other we challenge each other we laugh 80% of the time that we are together we're very fortunate.
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It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.
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If you choose not to decide, you still have made a choice.
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All four winds together can't bring the world to me Shadows cast a play of light, so much I want to see Chase the sun around the world, I want to look at life-In the Available Light. I'll go with the wind, I'll stand in the light.
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The first song that made me interested in music was 'Oh, Pretty Woman' by Roy Orbison. It was the guitar intro, that riff, that I really liked and made me listen in a different way.
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For me, there is a lot of room for improvement and there are a lot of things I would like to be better at.
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When I was young, my ambitions were very modest. I thought, "If only I could play at the battle of the bands at the Y, that would be the culmination of existence!"
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So, I really don't consider myself a fabulous keyboard player.
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I don't like lyrics that are just thrown together, that were obviously written as you went along, or the song was already written and the guy made up the lyrics in five minutes.
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The Stones were more dangerous than other bands of the Sixties. It looked like they had more fun than the Beatles - like they stayed up later.
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With the help of modern technology, I can compose intricate keyboard parts and then I have to go back and learn them in order to perform them properly.
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If you have some magical chemistry that actually find the music you make compelling, that is a big bonus.
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I think everything I do has Howard Roark [hero of The Fountainhead] in it, you know, as much as anything. The person I write for is Howard Roark.
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Innocence gave me confidence to go up against reality.
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What a young musician's dream, to say, "Look at those chrome drums. Look at that 22-inch ride cymbal. I'll have those." It was one of those unparalleled exciting days of your life.
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Once I had defined myself as a compositional drummer, I thought, "Well, I want to be an improvisational drummer."
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Pure libertarianism believes that people will be generous and help each other. Well, they won't. I wish it were so, and I live that way.
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Let your heart be the anchor and the beat of your song.
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But, I would be naive not to recognize the number of musicians who tell me they have been influenced by me and sight me - as well as Alex and Neil - as a musician who has been a positive influence on their playing.
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People don't realize the limitations of 200 words, and the way they get chiselled down into a song that has to be sung.