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Each of us A cell of awareness Imperfect and incomplete Genetic blends With uncertain ends On a fortune hunt that's far too fleet.
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Half the world cries Half the world laughs Half the world tries To be the other half.
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Some writing and production projects will be a great way to spend my elderly rock years.
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Music is all about wanting to be better at it.
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So, I don't know what is going to happen when the CD comes out, how well it will sell, etc. But, from a personal point of view, it was a very worthwhile endeavor.
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I have a lot of hobbies and I can be very remiss in reminding myself to go down to the basement to work.
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One doesn't want to feel too contented; you have to feel challenged by the music.
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They say there are strangers who threaten usIn our immigrants and infidelsThey say there is strangeness too dangerousIn our theaters and bookstore shelvesThat those who know what's best for usMust rise and save us from ourselves - Witch Hunt (Part III of 'Fear') (1980)
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How I prayed just to get awayTo carry me anywhereSometimes the angels punish usBy answering our prayers - Carnies (2012)
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I was taking piano lessons with a very good piano instructor in Toronto, and I'm afraid due to my schedule and discipline, it kind of fell apart. One thing lead to another and I was unable to practice as much as I wanted to.
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Certainly my personality, my sense of humor, my outlook on life was informed by the experiences of my parents and the stories they shared with me.
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To me, the highest expression of life is art with jokes. It's very rarified, very difficult to accomplish if you want to be more than just funny, and more than just jokes about human gaseousness.
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Half the world hates What half the world does every day Half the world waits While half gets on with it anyway.
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Wheels can take you around.Wheels can cut you down.We can go from boom to bust.From dreams to a bowl of dust.We can fall from rockets' red glare, down to 'Brother can you spare...'Another war.Another wasteland.And another lost generation - Between The Wheels (1984)
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I think Rush have always had this reputation, particularly to non-fans, of being an ultra-serious and cerebral group when, in fact, the reverse is true. We don't take ourselves seriously at all. Sure, we take our music seriously, but that's altogether different.
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I think you just have to cross your fingers that there's enough artists out there that keep producing interesting work, and eventually it will form a kind of wave that will force people to pay attention to it.
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You spend most of your life working and trying to hone your craft, working on your chops, working on your writing, and you don't really think about accolades. Then you get a bit older and they start coming your way. It's a nice pat on the back.
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I'm a big believer of daylight in the studio.
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Don't try to change Doofus, let Doofus change you.
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I love jokes as much as anyone, but I don't want to hear my snail jokes every day. But I might want to hear a good song every day.
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I worry about my voice 24/7 when I'm on tour. It's like a pitcher and his arm. It's constantly the thing that my whole life revolves around.
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You can do a lot in a lifetime, if you don't burn out too fast/You can make the most of the distance/First you need endurance/First you've got to last.
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So, I really don't consider myself a fabulous keyboard player.
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It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.