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'Moving Pictures' still makes me get into a groove; I love the way it feels. But I'm not nostalgic for old times. I'd love to have that hair again and be 40 pounds lighter, but it's a tradeoff.
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I set a course just east of LyraAnd northwest of PegasusFlew into the light of DenebSailed across the Milky WayOn my ship, the 'Rocinante'Wheeling through the galaxiesHeaded for the heart of CygnusHeadlong into mystery - Cygnus X-1, Book One; The Voyage (1977)
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More a paraphrase than a quote, really, but it comes from a prayer which was stitched into a sampler above my grandmother's bed. It began like this: 'Now I lay me down to sleep, I pray the Lord my soul to keep...'
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I feel safe and comfortable to do that once I know that the song structure around the bass part is very interesting and it satisfies me in a compositional sense.
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Better the pride that resides as a citizen of the world than a pride that divides when a colorful rag is unfurled.
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You just become adaptable and try to lead a good life in ways that make sense, regardless. Because I know at the end of it, if I'm going to meet Jesus or Allah or Buddha, I'm going to be all right.
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Hendrix was a natural genius who played many beautiful styles. Talent as great as his doesn't come through life very frequently. Hendrix was one in a billion.
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It's always a happy day when YYZ appears on our luggage tags.
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With solos, I don't like to be too prepared going in - I like to surprise myself.
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There's no bread, let 'em eat cakeThere's no end to what they'll takeFlaunt the fruits of noble birthWash the salt into the earth - Bastille Day (1975)
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Rush has never been a spontaneous group. We may be spontaneous in our writing, we may be spontaneous as individuals in our day to day lives... certainly I think am and always have been, but I think when it comes to Rush and our presentation of our music it's quite controlled.
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I feel the sense of possibilitiesI feel the wrench of hard realitiesThe focus is sharp in the city - The Camera Eye (1981)
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I like to practice on the bass, but I don't do it as often as I should.
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I don't want to be 70 years old jumping around onstage.
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The world weighs on my shouldersBut what am I to do?You sometimes drive me crazyBut I worry about youI know it makes no differenceTo what you’re going throughBut I see the tip of the icebergAnd I worry about you... - Distant Early Warning (1984)
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I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.
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I think the whole '2112' album took somewhere around a week to do.
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When we signed our deal in 1974, we'd already been together for six years. When they lowered the drinking age in Ontario in 1971 to 18 years, we went from playing two or three high schools in a month to playing clubs two or three times a week.
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I don't know how many times I heard older people, and not just parents but just older people, say, 'Oh, my God. Your generation is just totally nuts. You have no sense of what it was really like, when it was great.' And every generation has that same feeling, you know?
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I would like to think that Ben and myself have begun a partnership that will take us into different areas of music that we can continue to write, enjoy and keep me involved with music other then what I do with RUSH.
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I went to Kalamazoo to get my first Gibsons back in '76.
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Today is different, and tomorrow the same.It's hard to take the world the way that it came.Too many rapids keep us sweeping along.Too many captains keep on steering us wrong.It's hard to take the heat.It's hard to lay blame.To fight the fire, while we're feeding the flames. - Second Nature (1987)
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Pete Townshend is one of my greatest influences. More than any other guitarist, he taught me how to play rhythm guitar and demonstrated its importance, particularly in a three-piece band.
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I'm not looking back, but I want to look around me now. - Time Stand Still (1987)