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Sometimes I freeze...until the light comesSometimes I fly...into the nightSometimes I fight...against the darknessSometimes I'm wrong...sometimes I'm right - Freeze (Part IV of 'Fear') (2002)
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I am moved more by melodies, song structure, and evocative textures.
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Back in the day, fans wrote letters to groups - you'd get them, although it could take a while. Now, artists can go online and there's discussions about what you should and shouldn't be doing. The minute you announce that you're recording an album, thousands of people are telling you what that album should be.
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Bryan Adams might not be what I want to put on, but he's a pop singer with a great voice and great guitar tone. Plus, he's done more for Canada than Rush have, because he works all the time. I envy him for that.
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It takes a little more persistence to get up and go the distanceI'm not giving inI'm not missing outI'm not giving up on implausible dreams - The Enemy Within (Part I of 'Fear') (1984)
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Miracles will have their claimersMore will bow to RomeHe and she are in the houseBut there's only me at home. - Anagram (For Mongo) (1989)
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When I do a take, I very often try things that I haven't planned to try to see if I can pull it off.
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I like to be able to come and go as I please, and I don't really like having my face and name plastered around. I think it's a bit weird to have your name plastered on every page in a magazine, where in each case you're using a different piece of equipment.
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My diet, my regime, the whole life I have on the road has always got that little bit of stress because I'm always afraid I'm going to get a cold. And it's just such a nightmare when you got a cold or an irritation and you have to do a show.
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A few guys with guns can spoil everything. - The Masked Rider ()
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Wave after waveWill flow with the tideAnd bury the world as it doesTide after tideWill flow and recedeLeaving life to go onAs it was... - Natural Science (1980)
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Now there's no more oak oppressionFor they passed a noble lawAnd the trees are all kept equalBy hatchet, axe and saw - The Trees (1978)
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In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
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Howard Roark stood as a role model for me - as exactly the way I already was living. Even at that tender age [18] I already felt that. And it was intuitive or instinctive or inbred stubbornness or whatever; but I had already made those choices and suffered for them.
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Features distorted in the flickering lightFaces are twisted and grotesqueSilent and stern in the sweltering nightThe mob moves like demons possessedQuiet in conscience, calm in their rightConfident their ways are best - Witch Hunt (Part III of 'Fear') (1981)
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I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.
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Stamina is the force that drives the drumming; it's not really a sprint.
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If you want something done right, just forget it.
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To me, drum soloing is like doing a marathon and solving equations at the same time.
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The thing is, I don't take anything for granted anymore - my family, my music, you name it.
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Cast in this unlikely roleIll-equipped to actWith insufficient tactOne must put up barriersTo keep oneself intact - Limelight (1981)
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It's hard to stop wars, and it's hard to stop the abuse of the planet and all of those things. I guess you just do what you can do and voice your concern.
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All the busy little creatureschasing out their destinies.Living in their poolsthey soon forget about the sea... - Natural Science (1980)
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I think we're quite unique in that we do have our own sound and approach and we don't really care what's going on elsewhere... we've never wanted to be part of another trend or movement.