Rush Quotes
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Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.
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In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
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Lotus-land as it appears in 'Free Will' is simply a metaphor for an idealized background, a 'land of milk and honey.' It is sometimes also used as a pejorative name for Los Angeles, though that was not in my mind when I wrote it.
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The middle aged madonnacalls her neighbor on the phone.Day by day, the seasons passand leave her life alone.But she'll go walking out that dooron some bright afternoonto go and paint big citiesfrom a lonely attic room. - Middletown Dreams (1985)
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I like to be able to come and go as I please, and I don't really like having my face and name plastered around. I think it's a bit weird to have your name plastered on every page in a magazine, where in each case you're using a different piece of equipment.
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It takes a little more persistence to get up and go the distanceI'm not giving inI'm not missing outI'm not giving up on implausible dreams - The Enemy Within (Part I of 'Fear') (1984)
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'Tom Sawyer' could have been written eight months ago, with the kind of response it still gets.
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Sometimes I freeze...until the light comesSometimes I fly...into the nightSometimes I fight...against the darknessSometimes I'm wrong...sometimes I'm right - Freeze (Part IV of 'Fear') (2002)
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Miracles will have their claimersMore will bow to RomeHe and she are in the houseBut there's only me at home. - Anagram (For Mongo) (1989)
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I am moved more by melodies, song structure, and evocative textures.
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For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
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My diet, my regime, the whole life I have on the road has always got that little bit of stress because I'm always afraid I'm going to get a cold. And it's just such a nightmare when you got a cold or an irritation and you have to do a show.
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When I do a take, I very often try things that I haven't planned to try to see if I can pull it off.
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Bryan Adams might not be what I want to put on, but he's a pop singer with a great voice and great guitar tone. Plus, he's done more for Canada than Rush have, because he works all the time. I envy him for that.
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Now there's no more oak oppressionFor they passed a noble lawAnd the trees are all kept equalBy hatchet, axe and saw - The Trees (1978)
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To me, drum soloing is like doing a marathon and solving equations at the same time.
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I'm a linear thinking agnostic, but not an atheist folks.
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Wave after waveWill flow with the tideAnd bury the world as it doesTide after tideWill flow and recedeLeaving life to go onAs it was... - Natural Science (1980)
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The thing is, I don't take anything for granted anymore - my family, my music, you name it.
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Howard Roark stood as a role model for me - as exactly the way I already was living. Even at that tender age [18] I already felt that. And it was intuitive or instinctive or inbred stubbornness or whatever; but I had already made those choices and suffered for them.
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Cast in this unlikely roleIll-equipped to actWith insufficient tactOne must put up barriersTo keep oneself intact - Limelight (1981)
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Features distorted in the flickering lightFaces are twisted and grotesqueSilent and stern in the sweltering nightThe mob moves like demons possessedQuiet in conscience, calm in their rightConfident their ways are best - Witch Hunt (Part III of 'Fear') (1981)
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Waiting for the winds of change to sweep the clouds away. Waiting for the rainbow's end to cast its gold your way ... You don't get something for nothing. You can't have freedom for free.
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Stamina is the force that drives the drumming; it's not really a sprint.