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But I think the credit has to go to Geddy... he spent a lot of time in the studio with Paul, I think he needed that kind of focus to be in there to be a part of the whole thing, and for the most part he made all the major decisions.
Alex Lifeson Rush -
Throw off those chains of reason and your prison disappears.
Neil Peart Rush
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All the world's indeed a stage And we are merely players Performers and portrayers Each another's audience outside the gilded cage
Neil Peart Rush -
There was a time when fast playing and fretboard pyrotechnics on the bass were important to me and when I am recording a bass track, that is still very important to me.
Geddy Lee Weinrib Rush -
I'm less comfortable in a gregarious social situation, and you can be introverted and still share everything. It just means that you're guarded.
Neil Peart Rush -
It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
Geddy Lee Weinrib Rush -
That is what intrigues me; songwriting and song structure and expression.
Geddy Lee Weinrib Rush -
You move me, you move me.with your buildings and your eyesAutumn woods and Winter skies.You move me, you move me.Open sea and city lights, busy streets and dizzy heights.You call me, you call me. - The Analog Kid (1982)
Neil Peart Rush
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An ounce of perception, a pound of obscureProcess information at half speedPause, rewind, replayWarm memory chipRandom sample, hold the one you need - Vital Signs (1981)
Neil Peart Rush -
The Seven Cities of Gold always fascinated me. Southwestern U.S. history especially fascinates me. The whole spur of the Spanish exploration of the Southwestern U.S. was the search for these mythical Seven Cities of Gold.
Neil Peart Rush -
Too much attention and hoopla doesn't agree with my temperament.
Neil Peart Rush -
I think, basically, the music industry is scattered and in a mess. I think you've got lots of people that are so-called 'experts' that have no idea where it's headed.
Geddy Lee Weinrib Rush -
My parents got me a $25 Kent steel-string acoustic guitar when I was around 12. The following Christmas, my parents bought me a Conora electric guitar. It looked almost like a Gretsch. It cost $59, and my mom still has it.
Alex Lifeson Rush -
The more I got into playing guitar, the more I enjoyed music, and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
Alex Lifeson Rush
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I think jamming is the way we begin to communicate. In the old days, people actually wrote notes on paper and sent them to each other. I guess that's how they jammed.
Geddy Lee Weinrib Rush -
Both Neil and I had done solo projects where we were the boss and I just thought that if he was willing to get into it, it would really be a good experience for him.
Alex Lifeson Rush -
First of all, when you live in a country like Canada, it's quite different from America in the sense that it's very tied to traditions that were born in Britain.
Geddy Lee Weinrib Rush -
Look in, look the storm in the eye. Look out, to the sea and the sky. Look around, at the sight and sound. Look in, look out, look around.
Neil Peart Rush -
Growing up it all seems so one-sidedOpinions all providedThe future pre-decidedDetached and subdividedIn the mass production zoneNowhere is the dreamer or the misfit so alone - Subdivisions (1982)
Neil Peart Rush -
I dreamed of having a Gibson. I had a cheap Kent - you know, a Japanese guitar - and then a Kanora, a Japanese guitar. I borrowed a friend's Harmony for years. To have a Gibson was really, really my dream as a kid.
Alex Lifeson Rush
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I have such an extreme attitude about work, where I can just completely be derelict of my responsibilities and then when I am not derelict, I am completely indulged in it. I swing pretty wildly from the two extremes.
Geddy Lee Weinrib Rush -
You know, we have a long history of covering different periods of this band's development with a live record... a sort of live thing that would be done for three or four records, and that was the intention with this particular package.
Alex Lifeson Rush -
I read recently that all of us can be defined in adult life by the way others perceived us in high school. I know [people] who had the popular, good-looking path in high school; they tend not to do so well. It was a little bit too easy for them, where for those of us who struggled in every sense, perhaps our determination and self-reliance and discipline were reinforced by that.
Neil Peart Rush -
For me, how I feel about what I wrote down turns into a song.
Geddy Lee Weinrib Rush