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I read recently that all of us can be defined in adult life by the way others perceived us in high school. I know [people] who had the popular, good-looking path in high school; they tend not to do so well. It was a little bit too easy for them, where for those of us who struggled in every sense, perhaps our determination and self-reliance and discipline were reinforced by that.
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I have such an extreme attitude about work, where I can just completely be derelict of my responsibilities and then when I am not derelict, I am completely indulged in it. I swing pretty wildly from the two extremes.
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For me, how I feel about what I wrote down turns into a song.
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When I sit down and play guitar, I melt into the instrument. I can play for hours by myself. Playing guitar has given me such a wonderful life, and I'm grateful for it.
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How can anybody be enlightened?Truth is after all so poorly lit - Turn The Page (1987)
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Both Neil and I had done solo projects where we were the boss and I just thought that if he was willing to get into it, it would really be a good experience for him.
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A lot of '2112' was written in the back seat of a car and in cold dressing rooms while on tour in northern Ontario.
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Well, I've been lucky. I've never gotten a voice polyp. I've never gotten nodes. But I do get sick, usually every tour, and to varying degrees. Sometimes it's a sinusitis.
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Live albums are very important for Rush, and they became sort of a closing chapter for us.
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You can surrenderWithout a prayerBut never really prayPray without surrenderYou can fightWithout ever winningBut never ever winWithout a fight - Resist (1996)
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My studio is designed for atmosphere. I have a really cozy, comfortable room that has a great, huge glass door that views my backyard.
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Life is just a candle, and a dream must give it flame... - The Fountain of Lamneth (1975)
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For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
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When we are youngWandering the face of the EarthWondering what our dreams might be worthLearning that we're only immortalFor a limited time - Dreamline (1991)
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In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
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'Tom Sawyer' could have been written eight months ago, with the kind of response it still gets.
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No one gets to their heaven without a fight - Armor and Sword (2007)
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Cinderella man, Doing what you can, They can't understand what it meansCinderella man,Hang on to your plans,Try as they might, they cannot steal your dreams
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We're only immortal for a limited time.
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...if the music stops and there's only the sound of the rainAll the hope and glory - All the sacrifice in vain(And) If love remains, though everything is lostWe will pay the price, but we will not count the cost - Bravado (1991)
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I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.
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You don't get something for nothingYou can't have freedom for free.You won't get wiseWith the sleep still in your eyesNo matter what your dream might be. - Something for Nothing (1976)
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A few guys with guns can spoil everything. - The Masked Rider ()
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Something happens when you become an elder rock & roller and you're still functioning. People start to give you awards and recognize achievements. It's the life achievement period of your career.