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Live for yourself... there's no one else more worth living for...
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'Tom Sawyer' could have been written eight months ago, with the kind of response it still gets.
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To you, is it movement, or is it action?Is it contact or just reaction?And you, revolution, just resistance?Is it living, or just existence? - The Enemy Within (Part I of 'Fear') (1984)
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Courageous convictions will drag the dream into existence.
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I'm a linear thinking agnostic, but not an atheist folks.
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Faith is cold as ice.Why are little ones born only to sufferfor the want of immunity, or a bowl of rice?Well, who would hold a price on the heads of the innocent childrenif there's some immortal power to control the dice? - Roll The Bones (1991)
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I enjoyed art in school. I've always done little drawings and stuff like that. I don't really know what I'm doing with the painting, but I experiment.
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Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.
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I will choose a path that's clear, I will choose freewill.
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Different hearts beat on different strings.
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Sometimes you're up against everybody in the whole world - even your friends and family are saying, "You need a single." You feel sometimes incredibly alone.
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I still totally believe in individual rights and individual responsibility and in choosing to do good.
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But when Neil called, I have to say that my heart soared. And the reason was, because it said so much about his recovery... that he was coming back to the world of the living.
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A planet of playthingsWe dance on the strings of powers we cannot perceiveThe stars aren't aligned or the gods are malignedBlame is better to give than receive - Freewill (1980)
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Waiting for the winds of change to sweep the clouds away. Waiting for the rainbow's end to cast its gold your way ... You don't get something for nothing. You can't have freedom for free.
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For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
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Sometimes it's nice to have a song that can be taken more then one way, so it can be interpreted differently.
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I would like to shift more into writing for and producing people.
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We each pay a fabulous priceFor our visions of paradiseBut a spirit with a vision is a dreamWith a mission - Mission (1987)
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People are getting away from the whole album experience, it's true. I think that's sad. Maybe I'm just saying that because I'm an old fart. But I can't help it - albums are what I grew up with, and I still love them.
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If there was any one achievement, it would be that we've have done it on our own terms.
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If I do something weird, play it twice and it's a new part.
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I set a course just east of LyraAnd northwest of PegasusFlew into the light of DenebSailed across the Milky WayOn my ship, the 'Rocinante'Wheeling through the galaxiesHeaded for the heart of CygnusHeadlong into mystery - Cygnus X-1, Book One; The Voyage (1977)
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I feel safe and comfortable to do that once I know that the song structure around the bass part is very interesting and it satisfies me in a compositional sense.