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Soccer presented no challenge to me. Playing felt like breathing: I always had a magical connection to the ball. But it didn't feel like an adventure. Music was more of a challenge and, in the end, felt more interesting.
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I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
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I think Joe's underappreciated, I think Andy's underappreciated, I think Pete's underappreciated, I don't think people know how good he is. I think Neal Avron's underappreciated, but if anything, I feel overappreciated. I think Patrick Stump gets enough attention.
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I wasn't necessarily frustrated in Fall Out Boy, but there were things that didn't get satisfied, desires left wanting. We didn't all meet on the same kind of music. When bands break up, there are all these buzz words that get tossed around to maintain a front for the audience, but in this case there literally were creative differences.
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Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
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Why do we make records? Because we want to say something. Why are you in art? Because you want to say something. The second you don't have anything to say, you stop making art - you might start making product. And I'm interested in being an artist.
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I'm not as well read as I was when I was younger - I just devoured books.
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Sometimes the person that is best for you is the person right under your nose. I wanted to have a girlfriend in high school, and I know I would have treated a girl well, but instead I was just friends with a lot of girls. They ended up telling me later on, 'We're so perfect together,' but at the time, I wasn't the cool-enough guy.
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I remember my first kisses with a lot of people, and they're rad experiences. And you don't have to really take it to that next level because that's what keeps it exciting.
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Ultimately I am an employee of a corporation, and that’s weird, and does contradict some of the things I believe in. But at the same time, I have to make a living.
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When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.
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Pete's my best friend, I was the best man at his wedding, I love that man to death. I'd take a bullet for him.
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I don't tolerate anything that runs slowly. Whether it be a phone, tablet or computer, it has to run at optimum speed.
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I had aspirations to do different things with my life. I wanted to play soccer. I wanted to be a lawyer. Serendipity.
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Reich and John Cage were pretty big influences on this record (Folie A Deux) in weird ways in that you wouldn't necessarily hear any of it - nothing ends up sounding like either of them, but I think just methodology and things like that ended up on the record in various ways.
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Steven Tyler isn't in Aerosmith anymore, but his gravestone will probably say something about Aerosmith.
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I'm not a drummer anymore, on my gravestone, if there is one, if anyone writes anything about me besides hopefully being a dad, it would be that I sang in my band when I was in my 20s. So I was like, 'Yeah, I should probably focus on this a little more,' so I just practiced a lot. (When asked about his singing.)
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I think one of the things if you look at minimalism or expressionism, there's various movements in modern composition that I think you can see really natural relations in pop music, so I mean I always look to that in pop music.
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If I was going to do Fall Out Boy, I wanted it to be a real outlet for my writing.
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I love what I do and the music I make and the bands I've done, especially Fall Out Boy. I also love what I love, and I don't care if other people like it.
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I don't want to be George Lucas and go back after the fact.
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I think Kurt Cobain and Nirvana represent this giant wave that came crashing in and turned music on its head again, and there's definitely something to be said for that.
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In Fall Out Boy, I noticed that I wasn't putting all that much soul into it. It was just kind of screaming, I guess. I was just dying to get out of there!
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I love Korean food, and it's kind of like home to me. The area that I grew up in outside Chicago, Glenview, is heavily Korean. A lot of my friends growing up were Korean and when I would eat dinner at their houses, their parents wouldn't tell me the names of the dishes because I would butcher the language.