Mötley Crüe Quotes
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I am such a gearhead. In my recording studio, I personally engineer and edit everything on computers.
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I don't like to write music by myself anymore. It's boring. I want the jamming, the push and pull, and the excitement that comes with it.
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We didn't listen to critics, ... We did things with the fans and we did it our way. . . . That's what I'd like to be remembered by.
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A lot can happen [because of the dysfunctional family]. People don't look at that. They think, "Oh, my kids are going to be fine. My kids are resilient." But at a certain point, the damage starts. They start to feel pain - and when they feel bad, they start to take painkillers. We want to kill the pain.
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You might as well learn about sex from Motley Crue than your parents because it's a lot more interesting.
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The industry is a menace to artists.
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I love Starbucks. Maybe thats a bit sad. But I definitely need my caffeine. Its what gets me out of bed in the morning.
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We were telling everybody we weren't getting back together when we were in the studio actually recording. We wanted to try it on, to see how it would fit.
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A song has to be hummable and memorable at it simplest form, and that's what bass does for me. I feel like the glue to everything.
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I don't like doing what people would expect of me.
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Motley never once sat down and said, 'Well, the music scene's changing. We need to make this record a little darker or heavier musically or lyrically.' It was just four guys sitting in a room like a bunch of 16-year-olds in a garage and jamming on riffs.
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Anybody I'm in a band with can do what they do better than me. I'm a huge believer that I can play bass or whatever I bring to the table - producing, songwriting, orchestrating - and I can look at the other guys and say, "He's got that, he's got this, and I have this." It's a team thing.
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A lot of the songs that we're playing live we haven't played in like 20 years
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Doug Aldrich and I grew up in Philadelphia together, and Doug used to come and see a cover band that I was in. He was, like, 15 or 16, and I was, like, 18, 19.
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Every day, I wake up, and the first thing I think of is my kids.
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When you've tasted excess, everything else tastes bland.
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After I binged last night -or was it tonight - I was convinced yet again that there were people coming to get me. It was more than just shadows and voices, more than just fantasies....it was real, and I was scared to my core.My bones were shaking...m heart was pounding...I thought I was going to explode. I'm glad I have you to talk to, to write this down. I tried to keep it all together, but then I gave in to the manes and became one with my insanity.
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Nothing irritates me more than going to see an artist and paying all this money and then have them rant about very specific political opinions.
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I have fans that write to me and say, 'Why do you have those blonde streaks in the front of your hair?' And I'm like, 'It's not blonde. It's grey.'
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The more confident you are, the more you can let go and believe that the people you've chosen to be in your circle are able to do what they say they're going to do and what they're really good at. It has made me a better band member, too.
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If your album sells, that's cool, more people find out about you, more people get turned on to what we're really about-which is a live rock and roll band.
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Ozzy Osbourne and Motley Crue in New Orleans on Mardi Gras = bad idea!
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There is something about spending Christmas alone, naked, sitting by the Christmas tree gripping a shotgun, that lets you know your life is spinning dangerously outta control.
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We did wanna change the name. We were actually putting names in a hat. It was the people making an income off Motley Crue that talked us out of it. The booking agent was getting them between a half a million and a million dollars a show as Motley Crue. Then there was the manager who got 10 to 15 percent off Motley Crue.