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I'll write songs wherever I am.
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For me, pop melodies are their own thing that have their own emotion, but they don't necessarily belong exclusively in a pop song.
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If I'm recording a song, and it's kind of fuzzed out, but I've got this super candy melody, I feel nothing but freedom that I can just sing over the top, and it will be appreciated. It won't be like, 'What is he doing?'
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I've always argued that all Tame Impala melodies are pure pop. It's just that 'Lonerism,' for example, is a completely rumbling, fuzzed out psychedelic rock album. But for me, it was just pop music produced the way that I like to produce it.
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My brother Steve, who was a few years older than me, had 'Bad' on tape, and I remember listening to 'Smooth Criminal' and just thinking it was the coolest thing ever. I must have been five or six at the time, and I remember walking around school by myself thinking I was Michael Jackson. I wasn't dancing, exactly - more like walking musically.
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I didn't even know that small bands played in Las Vegas. I just thought it was, like, Celine Dion and stuff.
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If I'm really jet-lagged and need to get to sleep, I just try and watch cartoons. As long as it's animated, I don't care - it has to have that distance from real life.
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I write songs every day, but only a few of them get finished.
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There's so many people doing interesting things with the Internet and technology, there could be so many ways of making music and listening to it.
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I have almost no memory of my parents ever speaking to each other. They split up on bad terms. I assumed that's what family life was like. Just essentially a soap opera.
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Bands can become absolutely huge and actually be pretty terrible musicians, and bands can be the most amazing songwriters and musicians in the world and never play for more than 10 people. With that in mind, getting successful doesn't mean anything.
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Making music is so spiritual. I'm not a spiritual person, but music is sacred to me.
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Listening to my dad playing guitar along to 'Sleepwalk' by the Shadows was probably the first time I discovered emotion in music.
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I love the Beatles, but I don't listen to them at all regularly. Most of my friends are bigger Beatles fans than I am. I respect them, and I love them - 'Abbey Road' is probably one of my favorite albums, but I don't think I've ever listened to the 'White Album' the whole way through.
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I write songs every day, but I don't necessarily get to record them.
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Michael Jackson's one of my favorite artists of my whole life. In fact, I think he is my favorite. It's one of the first things I fell in love with before I learned about genres and before I knew what was cool to like.
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'Lonerism' is such an insular, detached album.
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What do you call that when you add '-ism' on the end of a word? What is that process? 'Wordism'? Something like that, yeah.
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For me, the value of music is the value you extract from it.
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I used to download music illegally. Everyone has. No one is innocent. Everyone has done that.
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I've always made music on my own, but I didn't think there was a platform for that, so I thought I had to pretend it was a band.
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I don't think you can reach the same highs working in a band as you can on your own.
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I hate when bands make beige, middle-of-the-road music. I guess you can say 'Lonerism' is the war on beige music.
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I was always putting songs on the Internet, but I was never into pushing them on anyone.