Kevin Parker (Kevin Richard Parker) Quotes
For me, pop melodies are their own thing that have their own emotion, but they don't necessarily belong exclusively in a pop song.
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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When we mention the 1 percent and the 99 percent, everybody now knows what we are talking about. It's part of our vocabulary. How quickly these numbers jumped from the sidelines to the center.
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'Make You Miss Me' is an important song to me. Having it go No. 1 as the fifth single off of my first record is the cherry on top of a chapter in my life I'll never forget.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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The first album I ever bought with my own money was 'Ten.' Every single song reminds me of my childhood.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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There are no rules to writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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Music's always been really cathartic. It's the best drug for me to get away from the everyday pressures just for a second via a good song.
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Sometimes videos make a bad song very tight.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
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I try to tell a story musically in a song.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I watch a lot of professional skating, and I am really looking forward to going to nationals.
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I'd faced a lot of rejection from labels and the industry, and it was getting hard to keep believing in myself. But something wouldn't let me – inside – I had this voice that was relentlessly hopeful, and honestly, I just loved performing and writing too much to ever really quit.
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Max Askeli started this very good magazine The Reporter. In fact, Meg Greenfield, who's now the editorial page editor of The Washington Post, was one of the star reporters there.
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For me, pop melodies are their own thing that have their own emotion, but they don't necessarily belong exclusively in a pop song.
