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In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.
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I didn't really like confessional poetry or things. They seemed sort of dated to me, or just corny.
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My wife says that I changed people's lives or ways of thinking and that I should always be proud and grateful. If I'm dismissive of what we do sometimes, a little bit, she's like, "I was a fan, you changed my life," or whatever. That's what she says.
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I'm not dying for everyone to hear everything we do. Forty minutes every two years is sensible.
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Something taken off the page can sound great, I guess. Usually it doesn't. It seems like lately Pitchfork is trying to champion lyric writers more.
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Well, yeah, I sang to some songs on the radio or in the shower.
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When you do a cover it's a way to get attention clicking on something. At the Quiet Music Festival, The Jicks did this Nirvana song, very unrehearsed and not important, but then all the websites were like, "They covered Nirvana!" People like covers of famous people.
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I'm sort of socially inept, so music is my way to connect to people. It's a means of socializing and having a life. Otherwise I wouldn't bother. I would just make home recordings and play them for myself. And that's not really healthy.
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If you want to be negative about the whole thing you can say all guitar bands after the Beatles were just a waste of time because the Beatles were the best. I think it's far better to give new records a try.
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There's no reason to stop. Who knows what's around the bend? To participate, meet new people. It's mostly other musicians and people like you, or anybody I meet who's in this, that keeps me going.
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The less you bet, the more you lose when you win.
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With some songs, I have written narratives or I've tried to carry it through, but generally the things that were more genius, as far as I was concerned, were not that.
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I like visual imagery in my head.
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Men are men and women are women, but the men are dumber than the women, usually.
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I think most musicians know if they make the same record twice, even if they say they don't.
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I want to do some different kind of songs, but say I want to do riffs, but I don't come up with any riffs that I really think are great. Then I can't do a riff album. I'm more of a song, melody person.
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We're not conceding anything. In fact, I think the court of appeals would render in our favor.
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Traditionally, when we lived here in Portland, we have a record player in the living room, and there's lots of stuff playing, all different kinds of music. I don't listen to any of those Internet radio things. I have iTunes on my thing, but I've never bought a single thing on it. Except for "Call Me Maybe," for the kids or whatever. Carly Rae Jepsen.
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When I was a kid I really liked the guitarist of The Doors Robby Krieger. He plays blues, but he plays a lot of melodic things. He plays scales that are kind of unusual, and some bent notes.
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You know, the songs that are self-conscious or jerky, they are that way, but the other ones aren't, so that's a good thing. Some of the songs are Beck-jokey, but the others, they have heart in them.
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We Paverment were definitely unafraid of playing wrong notes and singing wrong things. We could be fearlessly bad!
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As a frontman I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
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I like that band Get Hustle. They're cool live. I haven't heard their records, though.
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I'm more into describing a scenario and I move around in that scenario.