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There are reports of numerous casualties. It appears the freight train hit the vehicle (which had come off a motorway bridge), which then ploughed onto an adjoining line and was in collision with the passenger train.
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We Paverment were definitely unafraid of playing wrong notes and singing wrong things. We could be fearlessly bad!
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There's no reason to stop. Who knows what's around the bend? To participate, meet new people. It's mostly other musicians and people like you, or anybody I meet who's in this, that keeps me going.
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Don't go to the same studio twice, or work with the same engineer twice.
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Most people want to be seen or heard. You want to shine. That's my way of shining.
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But we're still rehearsing and planning to make a new album next year. We have some really good new songs that we've already been playing on that last tour that we just finished.
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If a voice is just too nice, without an edge, it kinda all flows by. You forget it. You don't listen to the lyrics.
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I'm thinking, I'm singing like Ozzy Osbourne, but I don't sound like him enough, ever.
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Lyrics are back, maybe. It seems like there was a bit of an attitude that lyrics are not important.
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I've wanted to not play as much. I would like to just sing now. Even though I don't think I'm a great singer, I wouldn't mind just - not being a frontman, per se, but singing and not playing.
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I live, eat and drink the Colin McNeil fight every day right now. I can think of nothing else and I agree with Colin that this will be the one to watch.
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I like that band Get Hustle. They're cool live. I haven't heard their records, though.
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Family is the best. I can honestly say, it's a gift that is beyond making art. I didn't know that when I got into it.
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Lou Reed is something like a personal favorite of mine, but you could always put me into that drawer of singers who can't really sing, who speak their songs.
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I don't really know where the songs are coming from often. Many of the best things I made up were just off the top of my head.
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The narrative songs were well-written, like an article in The New Yorker. They're nice and pat. They're more like I'm just showing I can do that when I write a song like that. It's not my true calling.
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I would live forever if I could, but not like this.
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You know, the songs that are self-conscious or jerky, they are that way, but the other ones aren't, so that's a good thing. Some of the songs are Beck-jokey, but the others, they have heart in them.
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We care if people like what we did. If you're just making records for yourself, why put them out and do all these interviews and do touring? I'm a huge music fan, and this is what I do with my artistic time. It's all I really do, except hang out with my family. I value human relationships, and it's a way for me to interact with the world and feel like I'm part of something.
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I don't know if you look back on your life and just see successes, but probably the first things that pop up are the regrets.
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The opportunity to continue to play such a significant role on behalf of Petrobras in the Campos Basin and Espirito Santos regions is extremely gratifying. It is heartening to see that the quality of our service and engineering expertise has contributed to the positive working relationship we share with Petrobras.
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Things tends to often consolidate like Disney. It's the same with music. There's Bruce Springsteen and Neil Young and Patti Smith. There's these three people that everyone seems to agree on. No matter what they like, they seem to like those three.
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I feel the most natural thing is for music to come that way because it's sort of like poetry. Though I do think with poets that I like, like Charles Olson or Ezra Pound, they were rewriting constantly, until the poem becomes a diamond.But with music I don't really feel that way.
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My wife is a big fan of George Oppen and I got into him. I could have a career like his. It's not an alpha male situation, George Oppen. It's quiet. It's poetry.He just lived a life of an intellectual poet.