The White Stripes Quotes
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The Eagle does not escape the storm. The Eagle simply uses the storm to lift it higher. It spreads its mighty wings and rises on the winds that bring the storm.
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I didn't really even think of recording under my own name for a long time. I thought, 'I've got the rest of my life to do that.'
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I think that sometimes love gets in the way of itself - you know, love interrupts itself. We want things so much that we sabotage them.
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Well, as a songwriter, it's really dangerous to use the word love in a song. It's a word that has been used in songs so many millions of times before, and it's the most popular topic to ever write about.
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For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
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I won't join another band again.
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Is this some kind of fucking radio promotion? What the fuck is this? Let me just say that if whatever said radio station tries to blacklist us for my comments about their balloons, I would like them to know I want a written apology tomorrow for interrupting my song.
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I just think old old movies, they make you concentrate and pay attention so much more. They feel so warm. A lot of modern digital videotape, it's just too bright. Don't know why, it's not warm.
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I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I'm not supposed to tell the horn section what to play or I don't want to come off egotistical.
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I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker. This is your box, and you're not allowed to stray outside of it.
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Playing drums feels like coming home for me. Even during the White Stripes I thought: 'I'll do this for now, but I'm really a drummer.' That's what I'll put on my passport application.
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This generation is so dead. You ask a kid, 'What are you doing this Saturday?' and they'll be playing video games or watching cable, instead of building model cars or airplanes or doing something creative. Kids today never say, 'Man, I'm really into remote-controlled steamboats.'
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If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.
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I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
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I dabbled in things like Howlin' Wolf, Cream and Led Zeppelin, but when I heard Son House and Robert Johnson, it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.
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'I'm excited by the band White Stripes. It really excites me. But it wouldn't excite me if there weren't those limitations, if we weren't living in that box, if we weren't trapped. Once that goes away, then I'll know that it's not worth doing it any more.'
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The fact that we elected Obama was a sign that the black struggle inherent in the blues and so much of the music I have loved can triumph.
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I really don't like to take the easy way out, if I can help it, on anything I do, I like to really make it a challenge. I don't know how to create by taking the easy routes. I've tried, you know, I've tried to let myself, but I always struggle to compensate.
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I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!' It weeds out people who wouldn't care anyway.
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There's Catholic guilt about things, then there's the guilt of being the youngest of 10, so when nice things happen to you, you're not really allowed to enjoy them.
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I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange.
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That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background; we need to take that out' - or somebody hit a bad note. Those are all the best moments.