The White Stripes Quotes
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We don't have to live up to the expectations of others. Passion is personal. As long as our passion is fueled with the right stuff then keep on plodding forward. I'll never be Mark Twain or Tom Clancy. But that's okay, because neither of them could teach you to mix a boundless number of grays, or where to place the catch light in a portrait.
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Well you're in your little room and you're working on something good but if it's really good you're gonna need a bigger room and when you're in the bigger room you might not know what to do you might have to think of how you got started sitting in your little room
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Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers.
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Everything else outside me seems far, far away.
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You will face boredom and frustration your entire career as artists. You will be very frustrated seeking a voice/style that collectors can connect with. Once you accomplish that voice/style people are clamoring for, you will become bored doing it.
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Music is what I have to do, I only answer the questions so that I can do it.
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I've never been much into picking things apart.
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I always stayed away from the studio environment as much as possible. But I just wanted to see if I could work in one. It's not easy. Just having an engineer's assistant around is enough for me to be uncomfortable. With more than one person there in the room, it feels strange.
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It's the emotion of it that hits me, more than anything technical.
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I don't think there is room for 'artistic temperament.' Professional artists understand art is a business. If businesses ran their companies like many artists do their careers, they would not stay open a year.
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I have very little interest in the bottom line or signing artists to help make the label profit. That's a lucky, unique position to be in, but it all comes out in the wash.
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I've always worked to find really deep meaning of song and also at the same time having it covered in sugar, so it can be taken two or three different ways.
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There have been three times. Once I got in a car accident and shattered my finger. A few years ago I didn't feel like being alive. That's all I can say.
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I made a rule for myself in my early 20s not to become a record collector in the sense that I reference all my old records. I can't live like that. I'd just be trapped in comparison, trying to emulate something, so I made a rule to just buy what I need, just the records I need.
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I have a suggestion for all of those award seekers and blue ribbon hunters. Spend your efforts on making art that connects with people. Awards impress the grandkids but they don't move the gauge on selling your product. Art needs to touch the emotions of the buyer.
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The secret is planning your work and working your plan. If you don't know where you are going, how will you know when you arrive? You can't stumble upon your destination.
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Sometimes you just get in there and force yourself to work, and maybe something good will come out, ya know? Deadlines and things make you creative. Opportunity and telling yourself you have all the time in the world, all the money in the world, all the colors in the palette, anything you want-that just kills creativity.
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A riff can take on the aspect of a chorus in a listener's psyche.
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I have to have the cotton candy shipped in.
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I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.
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I want love to roll me over slowly stick a knife inside me, and twist it all around.... I want love to walk right up and bite me grab a hold of me and fight me leave me dying on the ground.
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Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.
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The cover of Mojo, that was good for us.
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I won't let love disrupt, corrupt, or interrupt me.