Work Quotes
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Museums are for dead artists. I'd never show my work in the Tate. You'd never get me in that place.
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On Saturday afternoons when all the things are done in the house and there's no real work to be done, I play Bach and Chopin and turn it up real loudly and get a good bottle of chardonnay and sit out on my deck and look out at the garden.
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My dean gave me permission to model during my work semester, even though I was in the Criminal Justice Department. I don't know whether I'd ever have become a model if he hadn't let me do that.
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I work for the Global Fund for Women, an organization that is actively supporting women's rights groups in 160 countries around the world.
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It's not a choice. Either I write or I don't, especially when I'm in a foreign culture. I've lived in London for years, and I must continue my writing and filmmaking. The most important thing for an artist or an author is to continue her work. Languages and settings are the tools but not the first thing.
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I just want to help other women achieve as much as they can in society without restraints being imposed on us. It's the most natural and normal thing to want to defend your rights to equal opportunities, equal pay for equal work, and everything that comes with that.
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I was able to work with the best musicians in Kansas City starting when I was really young.
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Collections collect collectors. It doesn't work the other way around. A certain object misses its own kind and communicates that to some person who surrounds it with rhyming items; these become at first a quorum, then a selective, addictive madness.
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So, it's nice to know that you've inspired someone to do their life's work.
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I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and read between the lines.
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The key is to work with people who are passionate about storytelling and who have a similar sensibility of the type and nature of the stories that you want to tell.
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It's almost a problem how much I enjoy my work.
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Working with Sturges was like working with a guy who wanted to have a party all the time. He was very serious about his work, but in between shots, he was fun and we would play games.
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Letting go of things and not being afraid of being ridiculous or over the top - I think that's the main thing for me to work on.
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I've made all my money on my own without my family and I work very hard.
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If you set out to do something and you give it your all and it doesn't work out, be willing to modify your goal slightly. Have the ability to look in another direction. A small shift could guide you to the real purposes of your life.
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I'm going to go out and get everybody together and say I think we ought to protect this for generations to come. Now, let's get down to work and walk the land and talk about the conflicts and get everybody involved.
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Was I a businessman to start with? I'm not sure. I mean, that comes slowly, when you start having the products out. But at the same time, I was very determined. I knew that I had to make it work. I had no choice.
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If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music. … I cannot tell if I would have done any creative work of importance in music, but I do know that I get most joy in life out of my violin.
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My message, especially to young people is to have courage to think differently, courage to invent, to travel the unexplored path, courage to discover the impossible and to conquer the problems and succeed. These are great qualities that they must work towards. This is my message to the young people.
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My dream actress to work with would be Amy Adams.
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Though my poems are about evenly split between traditionally formal work that uses rhyme and meter and classical structure, and work that is freer, I feel that the music of language remains at the core of it all. Sound, rhythm, repetition, compression - these elements of my poetry are also elements of my prose.
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All my work shares a kind of balance between black comedy and sad and despairing melancholy.
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When you are playing with a few players in the pocket, it doesn't leave me isolated. I have a bit more space to work and be higher up the pitch.
