You Quotes
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If you have an opportunity to reach people on a broad scale, it's not enough to just entertain people. You have to take responsibility. You has to do something substantial. Otherwise you're squandering what you have.
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You cannot bring about prosperity without discouraging thrift.
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There's something special about shoes, they give you a high like nothing else.
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When you take something extremely broad, then it is not a work of expansion or work of compression. It's hard because you have to decide what to throw out.
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You need to know when to surrender the album.
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You're not a slave to those test audiences.
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The only thing you ever have is now.
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You can't tell a 6-year-old your sister is going to die.
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Cinematography is so much about instinct and intuition - you want the same range of experience going into behind the camera as what you see in front of it. Your life experience will come through the lens.
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And if you do all you can, that's all you can ever do.
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Miso makes a soup loaded with flavour that saves you the hassle of making stock.
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In your teens, you get the physical puberty, and between 28 and 32, mental puberty. It does make you feel differently.
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You don't start shooting rockets at Israel and expect that we'll just sit back supinely and die.
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When I don’t know where to go and life feels a lot like a tornado, spinning me around without a place to land, there in chaos we lock eyes. You always show up right on time, swear you calm the storm at the touch of your hand.
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You have to be able to tolerate what you don't necessarily like so you can be free.
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It's hard being black. You ever been black? I was black once - when I was poor.
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You don't talk to terror organizations!
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I'm probably a Libertarian, if I had to put myself in any category. But you don't come out and talk about these things, for obvious reasons.
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Give way to your opponent; thus will you gain the crown of victory.
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I had no clue about taxes at all. I didn't know they hit your paycheck. There's something that you've always got to put money away for. I didn't know you've got to put money away for it, even though it's coming out your own money. It's like, 'What the heck?'
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If you're working opposite an actor who can act, then all you have to do is listen and respond.
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When you produce an album, you're dealing with it theatrically. It has to have a structure, and the inner response to that is that the ear loves it.
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It's a strange thing that we're actors, and we're always playing a character, and then suddenly we're at a place like Cannes, and we're getting photographed as ourselves, and you're like, 'What do you do?'
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You either create something and you keep it a secret and you die with it, or you can benefit the craft.
