Time Quotes
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All of a sudden I was living what is perceived to be the model life. It was just full-on, 24 hours a day. It was work all the time. And there's always a party to go to.
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I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer.
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I think its important, particularly when you've got young children, to spend some time with them.
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I make music as good as possible, but I do reference cultural icons, because I want my music to be a time capsule of 2007.
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People ask me if I left the lyrics open to ambiguity. Of course I did. I wanted to make a whole series of complex statements. The lyrics had to do with the state of society at the time.
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I suffered at the time from an ugliness I no longer find on my childhood face.
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I know a lot of people think L.A. and they see a picture in their head, but those people obviously don't know me, because I sit on a couch every day. That's my idea of a good time - just being in a sweat suit.
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If I'm not writing well, I'm not happy. If I'm not spending enough time with my family, I'm not happy. If I'm not connecting to friends or if I don't work out enough... You get the point. Everything has to be balanced. Nothing should be an extreme.
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I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
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Most of the time when people say something sounds like Steely Dan, and I listen to it, it doesn't. And I'm not even sure what they're talking about.
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I have to have a little bit of time to myself right before whatever it is that I have to do because most of the time I'm sitting in my head convincing myself to calm down, all right, show down.
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Regardless of who wins, an election should be a time for optimism and fresh approaches.
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It's very strange that you condemn me as a terrorist at the same time as you call on me to help you combat terrorism in Iraq and elsewhere. It doesn't make sense!
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leave such mistakes for time to set right. And when the truth comes in such a case it comes to some purpose.
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I became politicised in my mid teens, at the time of ska and 2 Tone and the Anti-Nazi League, when I'd get dressed up for a night out in my white socks and loafers, and the last thing I'd hear is, 'Have a good night - be careful of the police.'
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For some reason, being on time in this industry can be a lost art form, especially for actors! It's important to remember that other people are always waiting for you on set, and it's really unfair to make them wait.
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You're always trying to do something that, on one hand, honors all those stories, that is still in some way the same character that Stan Lee and Jack Kirby were doing back in the sixties. But, at the same time, you want to be able to tell new stories and not just rehash what's come before.
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It's unbelievable that people have the time and inclination to be as negative as they are on a public platform about people who accomplish whatever they do in the public eye.
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If you look at my closet, there's all kinds of shoes, but at the same time I don't want to spread myself thin as far as designs and collabs.
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Shooting in Brooklyn is like opening a time capsule. Nothing has changed. Everything looks like it did in the eighties.
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In school, I really felt like I didn't fit a type. I think everybody had a hard time putting me in a category. They all sort of realized, 'Hmm, you don't really look like a soprano. You're not really a character belter.'
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Few of us have been so exceptionally unfortunate as not to find, in our own age, some experienced friend who has helped us by precious counsel, never to be forgotten. We cannot render it in kind, but perhaps in the fulness of time it may become our noblest duty to aid another as we have ourselves been aided, and to transmit to him an invaluable treasure, the tradition of the intellectual life.
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The photographer proceeds, via the intermediary of the lens, to a point where he literally takes a luminous imprint, a cast... [But] the cinema realizes the paradox of moulding itself on the time of the object and of taking the imprint of its duration as well.
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From the time you open the newspapers to the time the lights go off at night, it's all lies. We lie the most to the people closest to us. For fear of hurting them, breaking their heart, or worrying them.
