Street Quotes
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We were passers on the street. I never thought we'd meet until I said "How do you do, my love?
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It's one of the terrors of old age that your body is not your friend. Or to be out on the street and be frightened of someone because you're not in good shape and can't do anything about it.
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Get me a drink. I get drunk off one sip, just so I can adore you. I want the entire street out of town just so I can be alone with you.
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I wouldn't walk across the street to piss down Don Shula's throat if he was on fire.
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Referring to Kaye Ballard Lane in Rancho Mirage, California: Frank Sinatra had a street. Dean Martin had a street. I have a lane.
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I paint for the check cashing place down the street.
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Of course I like to look at pretty girls in the street. What hot-blooded boy doesn't.
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If you look at the entrance halls of the skyscrapers of the 1920s and 1930s, they are very welcoming. They are public spaces with enormous amounts of display and marble and so on. They were havens off the street.
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Don't believe everything you hear on the street.
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I was living in my van, playing on the street for almost two years.
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My father sang well, and he was a handsome man. When he walked down the street, people sometimes mistook him for Cary Grant and asked for his autograph.
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I like fashion to go down to the street, but I can't accept that it should originate there.
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If you walk up to some random person on the street, grab them by the shoulder, and say 'Did you just see what I saw?!', you'll find that no-one wants to talk to you.
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On oval (tracks) he's a rookie, but on road courses and street courses he's not. He showed that again here.
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The street curves in and out, up and down in great waves of asphalt; at night the granite tomb is noisy with starlings like the creaking of many axles; only the tired walker know how much there is to climb, how the sidewalk curves into the cold wind.
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I sell a lot of them at Art on Easy Street.
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Why should I worry, why should I care? And even when I cross that line, I got street savoire faire.
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On the street. I was talking to you and you found something better to do.
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In the mid-'60s, I quit school and wandered across the country, hitchhiked back and forth a few times, and ended up in hippie times, in the street in Toronto, in Yorkville.
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It's very difficult to do street casting with girls, because a beautiful girl in real life won't necessarily have the silhouette or the presence needed for a show.
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“The snow fell softly on the street. It muffled sound. It sent people scurrying homeward, so that the street was soon deserted, empty, quiet. And it could have been any street in the city, for the snow laid a delicate film over the sidewalk, over the brick of the tired, old buildings; gently obscuring the grime and the garbage and the ugliness.”
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I’ll build sometime or other a greater house than any of these, and in this very street.
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Well there was one day Daniel was walking down the street, this guy looked at him, then I looked at johns and he started crying. I put my arm around him. I, you know, I lent a shoulder. I'm just joking.
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I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
