Street Quotes
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If you ask anyone on any street corner in the world what the Soviet Union looks like, they would probably have very strong opinions. And they probably would be wrong.
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I sometimes follow people who attract my curiosity in the street for five, ten minutes.
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I can walk down the street all day and people look at me, but they don't talk to me or stop me.
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I've received a lot of compliments. People come right up to me on the street. They recognize me.
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In the mid-'60s, I quit school and wandered across the country, hitchhiked back and forth a few times, and ended up in hippie times, in the street in Toronto, in Yorkville.
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Maybe that's what is crazy: to want to be free. A lot of people wouldn't cross the street for it.
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I think it is very important to keep the kids off the street and out of trouble.
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I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
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When I walk out on the street, I want to see everybody wearing my clothes.
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I wanted so badly to play in the park across the street because the kids were playing baseball and football but I had to record.
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Well, see, there's this cave in Switzerland I really need to find.' She slipped on her sunglasses; was already in the middle of the street when she turned and looked back at Hale and Gabrielle. 'You coming?
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Street fashion forever.
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When I first got into this biz called show, I decided I was going to change my name, make it more Hollywood. And you know how you do that? You take your middle name and the first street that you ever lived on. So when I first started, I actually went by Sue Rural Route 2.
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I love Mardi Gras. I'm a street rat.
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Affection is like bread, unnoticed till we starve, and then we dream of it, and sing of it, and paint it, when every urchin in the street has more than he can eat.
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Whenever I go anywhere in the world to do a show I try to paint something in the street as well.
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The entire roof was all the way across the street.
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Perhaps the street photographer has been replaced by the security camera.
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I don't know if I want to walk down the street and have everyone staring. I think that would be awful. I'm a pretty shy person, really.
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If you're a real hip-hop fan and a real street music fan, and you just love good music, you're gonna play it from top to bottom, and you're gonna get the concept, you're gonna get the story of my life, you're gonna be entertained, you're gonna dance you're gonna feel emotion, you're gonna get the truth, whether you like it or hate it.
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You see people on the street, talking to themselves, and you're like, 'What are they talking about?' I'm interested in that.
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I live by Edith Whartons rule to get rid of anything neither useful nor beautiful. So I put the TV out on the street.
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During these last twelve years, with his left hand scarcely aware of what his right was up to, he had saved many souls. And he never saw a weeping child in the street without administering lollipops, or an old woman carrying a heavy burden but he did not turn aside to carry it for her. His huge kindness grew with the years, and his wealth, by giving him the means of gratifying it, had enlarged rather than shut up his heart. Though he had continued through all these years to detest the pursuit of money, yet its possession had done much for him.
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But some things are the same. My mother still owns the house I grew up in, on what would now be called a cul de sac, but which the sign on the corner called a dead end street.
