Thinking Quotes
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I think that enjoying the fruits of one's labor is very different than arrogance. And when I was younger, I didn't know the difference. I thought that if you were gracious, that meant that you somehow were getting ahead of yourself. And I felt self-deprecation kept you balanced.
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Having not really written any generational songs - I think maybe two or three of the songs that I've ever written have any bearing on the age of the listener. My stuff tends to be far more concerned with the spiritual and with subjects like isolation and being miserable.
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...I think there's only one thing that anybody teaches, and this is character. And I think that whether you are teaching history, math, or biology, or music, what you are really doing is, you are helping to shape the character of that person who is your student... Music is such a wonderful teaching tool, because while you are developing musical skills, that student can learn a lot about discipline and cooperation.
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Designing for me is a very complex process. There are many ideas that I want to express in one object, very often contradictory. The creative process in Miu Miu is completely different from that of Prada. Miu Miu is not as complicated and thought out as Prada. Rather than being young, Miu Miu is immediate Prada is very sophisticated and considered; Miu Miu is much more naive. The solution, when I am working on Miu Miu, has to come immediately, instinctively, spontaneously with whatever is available at the moment. If I think three times, I stop.
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Theaters are always going to be around, and doing fine. With computers and technology, we're becoming more and more secluded from each other. And the movie theater is one of the last places where we can still gather and experience something together. I don't think the desire for that magic will ever go away.
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I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
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I think life is simpler than we tend to think. We look for answers and more answers. But there are no answers. Things happen in life, good things and bad. People say, 'Why did it happen to me?' Well, why not? Some people win the lottery, and others die in a car crash. It happens, and there is nothing we can do about it. The universe doesn't care what happens to you.
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I make terrible jokes every time I go into a hospital. I think it's a defence mechanism.
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I also think it was important for me and Freddie to be able to have a lot of time to share our lives at the beginning of our marriage rather than my coming home at 9 or 10 at night from the set. Things have really worked out for the best for both of us.
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When I start thinking in the batter's box, that's when I get into trouble.
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I think I am a lot more relaxed about what I have or haven't done.
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I do have a natural sense for business, which I think I get from my Dad.
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I think 'All Out of Love' is my favorite song because it's been the most successful. It's been in about 30 movies, it's been a number one record, and it keeps getting played on the radio, it's always somewhere.
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I don't think anybody planned for me to be an actor. I didn't. I didn't know this was what I was going to do.
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I loved reading historical novels when I was young, but I definitely don't think I wrote one. When I read my book through, when it was completely done and in printed galleys, I was surprised by how uninterested in the passage of time and history the book seemed to be. Even though you can feel it all there, that's just not what it's focused on.
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She was doing that thing some people do when they act nice and chipper and interested, while just below the surface they’re thinking really mean thoughts, and you can never call them on it because they’d just accuse you of being paranoid.
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I think I've been in situations where they looked at me and just see some rich white guy - they don't see me at all.
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That's how you know you really trust someone, I think; when you don't have to talk all the time to make sure they still like you or prove that you have interesting stuff to say.
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I think I didn't know what I was creating, as much as I knew what I didn't want to do. And I didn't want my mother's life. She was an unhappy, frustrated artist who always dreamed of a life that was never going to be hers.
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The British people are extremely conventional. You don't always know what one is thinking or feeling because it is basically hidden. The British people basically let you see what they want you to see.
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By thinking big, we can transform our world.
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And I think more of a concern has been not within the campaign, the mistakes that were made, not being able to react to the circumstances that those mistakes created in a real positive and professional and helpful way for John McCain.
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The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.
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I think that part of being human is being alone, and being lonely. I think one of the stresses on a lot of our friendships is that we require the people we love to take away that loneliness. and they really can't. And so, when we still feel lonely, even in the company of people we love, we become angry with them because they don't do what we think they're supposed to. Which is really something that they can't do for us.
