Band Quotes
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I'm tired of being in a band, but I do want to continue making records and performing, at least a little bit. Making the records isn't always fun. It's fun to be finished with them. Making beautiful things can be quite painful.
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I joined a band because I didn't like school, and there's nothing else I'd rather have done. If I really wanted to make money, I'd be in real estate. But I'm rich enough. I have a son and daughter, a lovely home, and if I see something I like, I can buy it. That's rich enough.
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Count Basie isn't just a man, or even just a band. He's a way of life.
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A band that makes records and tours is also a business. That's usually where a lot of disagreements come. It's four guys who are musicians and don't really know much about business, but are very passionate and have very specific ideas.
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I see myself as the buffer between the band and the record company.
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No band is special, no player royalty.
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I like guitar. It just turned out that it's the instrument I learned to play. I have a lot of respect for it, and I'm learning more and more every day. For me, the classic band setup - guitars, drums, bass - will stay fresh forever. I don't know. I'm still into it.
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It became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.
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Music is my catharsis for that. It's an incredible blessing that I have this way of expressing myself through music and lyric, and I'm so grateful for that in moments of pain or of suffering - that I have this means of channeling it; it's really amazing. My band as well - having them around and being able to jump on stage and bond together and share that energy is really uplifting as well.
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When I first started drinking, it was working for me. It was great. Like when you're doing a gig and you're in a band and you're in the truck and there's nothing to do in the truck and the gigs are all the same and the hotels are all the same...it's the hotels, the car, the gig.
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I'm disappointed by bands left and right, every day.
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We're not the corporation of Foster the People. We're a band.
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My first instrument was bass, and the first thing that I remember learning to play that was better than a few notes was Fleetwood Mac's 'The Chain.' If you're the guy who penned that bass riff, then you should probably be in some sort of fantasy band.
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I wasn't really terribly familiar with the Beatles when I met George. They were just emerging. They certainly weren't as big as they became later on. I just knew them as a pop group, and that's all. I was keener on George as a man and a person, as opposed to someone in a band.
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My son, Walker, has a band called The Dust Busters. You know, he plays banjo, fiddle, guitar, and mandolin, so a lot of my interest in that kind of music comes from him constantly listening to this stuff. He's taught me the history of it. It's remarkable how these young kids are now turned on to more traditional old-time music.
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I like being out front, doing what I do, but then I also like playing in a band too. I'd like to do stuff like I did with Deee-lite. I went out and played with them and they were the stars, that was cool.
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I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys.
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They were my friends. Those guys were like The Monkees. They lived in this house all together... no joke, the whole band all together in the same house, and they were really fun. They were really young guys and they lived the real Rock life. Of course it all went horribly wrong later, but they were great.
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In 1973 we moved to the British Isle of Man, and I put my first band together for one year, named Melody Fair.
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What's the last thing a drummer says in a band? 'Hey guys, why don't we try one of my songs?
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And as the players tried to take the field, the Marching Band refused to yield.
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To play with a band all of the time, just about nightly, was good for me because I wrote lots of arrangements and I got a lot of my transposition and chords ironed out.
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We spent the next three years working up a nice, sweet society band and then realized that although we had plenty of class appeal, we had little or no mass appeal. So we started all over again and reorganized to get some jump and rhythm. But through it all we've tried to play the type of music that fits in with soft lights and sweet whispers.
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My son is in a band, and he's a singer, and his vocals... they're screaming-growling stuff... and he's got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I'm, like, 'Hats off to you.'
