Band Quotes
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We've always wanted to do it, something you could dance to, and deep down we always thought we could bring something to the table if we could do it, but the live shows always made us pull back and be a rock band.
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When I'm writing Broadway, it's for a character, a man, a woman, an old guy, a kid. In the band, you're talking in your own voice in the lyrics, saying what you think or feel. On Broadway, you're expressing that through a character.
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Some people even went off to form another band, Power Station.
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I played in the high school band. I was the one baritone saxophone out of 80 other people. No one could tell whether I was hittin' the right notes or the wrong notes.
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A lot of times, when a band finds success with a certain style or sound, they have a really hard time breaking away from that to grow as artists.
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When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
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Most of the bands that I really like no longer exist. That might just be because I'm in my thirties or whatever. But I also think it's the rare band that doesn't, like, turn into something else.
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Luckily, I'm in a band with two other guys who really pull their own weight and have the skills and abilities to compensate for my weaknesses.
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I think Slayer is a funky band.
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Q: Radiohead fans tend to be extremely devoted to the band - they seem to connect with your music and ideals. What do you see as the major aspects of your music which people connect with so well?
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I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.
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I saw Berry in concert a couple of times in the late '70s - and like almost every North American male of a certain age, I went because a friend was hired by Berry that very day to be part of the legend's backup band.
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Here sit I, as a little child; The threshold of God's door Is that clear band of chrysoprase; Now the vast temple floor, The blinding glory of the dome I bow my head before. Thy universe, O God, is home, In height or depth, to me; Yet here upon thy footstool green Content am I to be; Glad when is oped unto my need Some sea-like glimpse of Thee.
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Sometimes I think there ought to be a coat of arms for all of us who listen to Oberst's band Bright Eyes past the age of twenty-six. 'With Love and Shame,' the motto would read. The handwriting would be the cramped and tortured scribble of a high school freshman.
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When I was about 18, I really started diving into Dave Matthews Band and John Mayer Trio and some of those things that have jazz elements but also a pop feel.
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Bands don't last. Bands don't last forever - it's a rarity when they do.
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This band is a real collaboration, and I'm greatful to anybody who can appreciate our music. It doesn't have to be a certain kind of fan or person or anything. I think there's a little bit of something for everybody on this record.
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If I had to choose between the band or the friendships, I'd choose the friendships at this point.
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When I first moved to New York in 2006, I spent most of my time hanging out at and going to shows at a punk house in Crown Heights called The Fort where, amongst many roommates, my friend Johnny lived. Johnny loves The Germs, the legendary L.A. punk band fronted by the late, great Darby Crash.
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about the name Disturbed It had been a name I have been contemplating for a band for years. It just seems to symbolize everything we were feeling at the time. The level of conformity that people are forced into was disturbing to us and we were just trying to push the envelope and the name just sorta made sense.
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It's just music. It's trying to play clean and looking for the pretty notes. The beat in a bop band is with the music, against it, behind it. It pushes it. It helps it. Help is the big thing. It has no continuity of beat, no steady chug-chug. Jazz has, and that's why bop is more flexible.
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Also there's two sides of it, I mean, a band like us, at our level and the way we have to promote ourselves and usually radio just completely turns their back on us, at the same time I think Mp3s help promote us somewhat, spreading the word about the album and stuff.
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I have quite a collection of ironic band T shirts.
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I chose the trombone because the trombone players in the marching band got to be up front with the majorettes (because of the slides) and I loved that!
