Demos Quotes
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It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
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Infinite was me trying to figure out how I wanted my rap style to be, how I wanted to sound on the mic and present myself. It was a growing stage. I felt like Infinite was like a demo that just got pressed up.
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You can always pound out demos and send them to record companies, but most of the successful bands I've seen are the ones that can sustain themselves.
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Some of the demos we do are better than a lot of people's albums.
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At fourteen, I started sending out demo tapes.
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I've done songs, which have gone out to other artists or whatever, with me singing on, but they're just demos. There is a song called CANDY IN YOUR HANDS, which I think nearly became a Def Leppard B-side. It's got me playing on it and singing, cause no one else performed on the track. So, not in a Def Leppard sense, but we always release "rare" songs, so there's always a chance.
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Technology is great, because you can edit and put things together from some of your demos. With this record, there’s a lot of elements of demos and recordings that we did that we managed to put in to the proper recordings that we’d done later.
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The hard part was when I went into the studio with co-producer Eric Broucek, and he started slashing my demos. I always sweat that.
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When you're in the moment and not over thinking the song is when things tend to really work. You're not so focused on the minutiae. You're focused on the overall feel, and that's the stuff that I get from the demos. First impressions are always the most important. When you start getting into a full-band, democratic context the little things almost immediately get thrown out the window because you don't think they're important.
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In a landscape where a 2.8 demo rating keeps you on the air, you can maintain that just by treating your fans with respect.
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Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's Kessler insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."
