Joe Elliott Quotes
Quotes to Explore
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I always try to put something personal on my albums just to give people out there a little piece of my history and how I got where I am and who I am.
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People consider Black Star a great album, and I think it's a classic album. But the fact is, both me and Mos Def have made better albums since Black Star.
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A lot of the Beatles albums were very various, and we did it on purpose: We didn't want the next track to sound like the last one.
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My features & my shows 10 times your pay 50k for a verse no album out
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I tried acting and all of the arts, I even put out a record album, but what I like the most is business.
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I guess I do feel the need to repent. I do feel like I owe the world a great album. I don't know why I feel that way. I just do.
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I listened to the radio, so I was influenced by everyone from Michael Jackson to Milli Vanilli. But thankfully my dad had a collection of Cat Stevens albums while my mom was listening to jazz.
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To create an album of love, I really had - I thought it was going to be easy, because I've always written love songs. But I thought if I really want to make a love album that contributes, that actually means something, I've got to go deep.
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To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
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I don't want my kid to hear any of the albums that I've made.
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We have recorded songs on the same day that were released years later in other albums.
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England is the first country that I've had a no. 1 album in, so it is now officially my home away from home.
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When you're making an album with people who made your favorite records as a rebellious teenager, it feels like you've achieved something.
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I just liked stand-up comedy so much. I used to memorize Bill Cosby albums and other people's albums, George Carlin, Flip Wilson.
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I write in English. My first album came out in Italy, and I toured and did gigs.
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Success has a lot to do with luck, but it also involves a lot of real hard work. The thing about success is you really can't gauge things by album sales.
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With AC/DC, we've always started with rock, and we've just kept it going. The critic's view is always , 'They just made an album and it's the same as the last one.' I'll have fifteen of them, anytime.
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That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.
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The success of Revamp is clear. We've sold a lot of albums, we've done very good tours, and wherever we play, we get a very positive response, and that's something that would be very nice to keep.
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TLC's always been sexy but always tasteful.
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Enjoy what you can, endure what you must.
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There is no roles. No one is keeping any roles. The drummer is also answering everybody and everything. So it is a constant conversation and communication between musicians on an extremely high level with extremely valuable material, motifs, and melodies.
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Some of the demos we do are better than a lot of people's albums.
