Character Quotes
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The slanders poured down like Niagara. If you take into consideration the setting - the war and the revolution - and the character of the accused - revolutionary leaders of millions who were conducting their party to the sovereign power - you can say without exaggeration that July 1917 was the month of the most gigantic slander in world history.
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If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye.
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I'm primarily a character actress.
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With every character, the first thing I want to feel is empathy.
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We recognize that our progress as a species does not have to be defined in terms of wealth or material and physical growth any more than our progress as individuals has to be defined in terms of physical growth. Physical growth of the body reaches a limit, but the character and the soul of the individual continues to grow, or at least has a chance to continue, often to our last breath. It is simple minded to define our well being in material terms, when that well-being has an aesthetic dimension, and intellectual dimension, a moral dimension.
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I think I would not be described as a character actor in that I don't take on characteristics which are very alien to me.
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Jefferson refused to pin his hopes on the occasional success of honest and unambitious men; on the contrary, the great danger was that philosophers would be lulled into complacence by the accidental rise of a Franklin or a Washington. Any government which made the welfare of men depend on the character of their governors was an illusion.
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I don't want people thinking they know me instead of the character. Steve McQueen has loads of stories about him - who knows what's true? But it's great for people to fictionalize rather than know the truth.
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The job's always the same. It involves helping to tell the story and creating an alloy between character and story that serves the film.
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If you put me in a box, I'm a character actor. The thing that keeps popping up for me - it sounds really cliche - but I want to play something really physically challenging, something extremely demanding and strong.
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When you consider that you're a character that doesn't speak, but you've still got to react to the other actors, you've got to make a noise of some kind.
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51st State was one that I loved doing because the character was so out there, and in a way I was sad to leave the character behind. I'm afraid I could never be that cool in real life!
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I would say that it's mainly about the director. It's a hard quality to find, but I always know whether I want to do something or not. The character is important to me, as is getting to work with people that I feel like I can learn from and make a great movie with.
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I think thing that makes Batman so endlessly interesting is that he's one of the most flawed and deeply human characters, even though he seems completely the most inhuman and infallible in costume. Psychologically he's one of the most complicated in both his strengths and his weaknesses. For me, one of his great strengths and weaknesses is that confidence. His emotional self-protection is one of the things that makes him heroic and sacrificing; he doesn't have a personal life. He sacrifices those to be the best hero he can be.
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There have been a number of times where this team could have said we're out of it and given up. It got to the point where our backs were against the wall and the players responded. That's says a lot about their character.
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I spent my life folded between the pages of books. In the absence of human relationships I formed bonds with paper characters.
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For my character, I mostly shot in the jungles and also did stunts and fight sequences on the harness. At the end of the day, I used to be hurt and bruised, but I completely enjoyed doing all these.
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I am very observant of people's character.
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It all goes back to 'Wow, I never knew this about Marco Polo.' This is an incredible story and an incredible character, and such a rich world of Mongolian and Chinese culture.
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I never wanted to play a character that hated herself. I wanted people to know that those aren't the only roles for people like me, normal girls.
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It was fun playing a horrible, snotty kid in 'Harry Potter', and then playing Prince Charming where I was also singing and playing guitar, and then playing a completely different character.
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To have one's own story told by a third party who doesn't know that the character in question is himself the hero of the story being told, that's a technical refinement.
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We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.
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The vilest abortionist is he who attempts to mould a child's character.
