Character Quotes
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I like Ned Leeds. I love the character so much. He's a very new character in the MCU. I think he's a very fresh take on people in the superhero world. Some superheroes crack under pressure, and Ned Leeds, who is not a superhero, doesn't.
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In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
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When I step into a character's shoes, I don't judge them. I make a conscious effort not to look from the outside in but look from the inside out, and when you do that it allows you to feel and sense things more, and act and react from a core, you know?
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I appreciate actors who work very hard to get at the truth of the character they're playing. That speaks to me, and I try to protect that process because I value the focus and intention behind it.
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Hair and make-up people don't get enough credit for what they do. It's not just making people look good. It's really creating the character.
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Just as a diamond can only be polished by another diamond, it is only through genuine, all-out engagement with others that people can polish their character, and help each other to reach greater heights.
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One of the coolest ways to start building a character is the way he moves his mouth, what part of the mouth he puts his words into, how he expresses himself, and there's a certain flavor you get with a dialect.
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If you're playing a negative character, sooner or later it rubs off on you. Some people don't mind living in that state, but I don't want to be there anymore. I don't want to live in a state of depression.
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It is the highest form of self-respect to admit our errors and mistakes and make amends for them. To make a mistake is only an error in judgment, but to adhere to it when it is discovered shows infirmity of character.
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It's the misfortune of German authors that not a single one of them dares to expose his true character. Everyone thinks that he has to be better than he is.
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I would not want to be a politician... Let me tell you this: If I was campaigning, and I go against my opponent and he started attacking my character, and I leap over the table and choke him unconscious, would that help my campaign?
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I want to play a character with grey shades.
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I don't feel like a romantic lead; I guess I feel more like a character actor.
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Marinating chicken in miso adds lots of character to the meat with little work.
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Sometimes I'll get a premise, you know, for a book. In fact, I get those quite often. And I don't commit to it until I really know the voice of that character. It's almost as if the character is speaking to me.
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I used to see my friend Harland Williams in a lot of auditions. Then you'd see one of the DeLuise kids because they're kind of heavy and character-y. You'd just see a lot of the same guys over the years.
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'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
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Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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It's always been my dream to just continually do really cool indie movies - character-driven stuff.
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It's interesting that some people reading the comics see Scott Pilgrim as a blank slate in that they like to imagine themselves as Scott Pilgrim, so it's interesting that there are two kind of schools of thought about the character. One is, like, Scott Pilgrim is awesome. The second is Scott Pilgrim believes himself to be awesome.
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With the wacky jokes that we do on 'Great News,' you do overall still want to be coming from a place of truth with your character because, otherwise, it's just off the walls.
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While conflicts have expanded and deepened and transformed, actors have transformed, and humanitarian assistance is transforming. Protection work is transforming and taking on another character.
