Character Quotes
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Today the arts exist in isolation, from which they can be rescued only through the conscious, cooperative effort of all craftsmen. Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts.
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I know there are lots of positives in the evolution of technology, but I also think it will be responsible for the end of a unique character, of a specific kind of geographical culture. The world is getting so small, and mass production is getting so big. Everything is in danger of becoming the same.
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The character is close to me, except that I haven't lived through those situations, so it's not completely me.
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I'd love to do another 'Indiana Jones.' A character that has a history and a potential, kind of a rollicking good movie ride for the audience, Steven Spielberg as a director - what's not to like?
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You learn stuff from every character you play about the human condition that can be quite enlightening.
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No sinner has the right to say with impunity, 'God you owe me grace.' If grace is owed, it is not grace. The very essence of grace is its voluntary character. God reserves to himself the sovereign, absolute right to give grace to some and withhold that grace from others.
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So many people look up to Jennifer Lawrence playing Katniss in 'The Hunger Games.' For them to look up to Rey and what she represents would be fantastic. She's a wonderful character... The reason I love her so much is she does all the fun stuff. She fights, runs and protects herself and has an incredible emotional story.
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The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.
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Clowning is a trick to get love close. I can hug 99 percent of people in the first second of contact if I'm in my clown character. The clown assumes your humanity. It assumes that, whatever trauma you've had, you can still love yourself.
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The most important basis of any novel is wanting to be someone else, and this means creating a character.
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I'm always more motivated by the pain of a funny character than by what makes him funny.
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For me, acting comes straight from the heart. In that sense I don't act at all. I think that to feel the character's pain I have to be myself. Somewhere audiences see that.
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When you're portraying someone that really existed, there has to be a time as an actress where you leave reality and move into the fantasy world so you can do your job of creating a character.
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It was extremely difficult to suppress my emotions, because my character in' A Girl at My Door' goes through so many infuriating situations. It was a lonely process having to portray someone that acts tough but is deeply hurting inside and is unable to express that.
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I think you have to have a sense of humor about every movie that you're doing. Your character needs to be relatable in a way that, even when you're doing the most bizarre things, sometimes a bit of tongue in cheek is necessary to keep up the believability of it.
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What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim "You know exactly what I mean!" depend for much of their force on the anonymous character of the intimacy between writer and reader.
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I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to.
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It's properly scary playing a leading man. Growing up, I always wanted to be a character actor.
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I sort of fall in love with every character I do; you have to understand how they became what they've become, whether they're the ugly kind or the very beautiful kinds of characters.
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I think there's something about supernatural shows that people see and just want to put me in them! I don't know. I just finished another show - 'The Nine Lives of Chloe King,' with Skyler Samuels, who was my girlfriend in 'The Gates' - and I play another supernatural character on that show.
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One of the surest signs of the estimated changes in the consciousness of the American proletariat is to be found in the character of the demands now being put forward by the leadership.
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I think there are only two kinds of heroes: the flamboyant ones and the angry-yet-silent types. Every character on TV falls into either category.
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If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
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A nation is a totality of men united through community of fate into a community of character.
