Character Quotes
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I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
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Jack Lemmon always said you can't learn how to act without doing theatre, and I agree with that. Because anyone can do a character for a take, but can you do one for 40 minutes at a time?
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For the first half of this century, High Court judges have been cautious to the point of timidity in expressing any criticism of governmental action; the independence of the judiciary has been of a decidedly subordinate character.
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I never really do much research before signing a film. It is just the script and character that I concentrate on.
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Reason enslaves all whose minds are not strong enough to master her.
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I love character-driven, well-written, great storytelling types of films, and I think that 'My Cousin Vinny' just hit the nail on the head with everything. It's one of those movies that, if I'm flipping through the channels, no matter what part it's on, I can watch it. It's just one of my favorites.
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Burroughs was never really that pleased with the way popular culture and society treated his character. He tried to make a few movies of his own as a result, but they weren't very good.
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I hold Bond dear to my heart. I've traveled the world as an ambassador for that character, and I had a bloody great time doing it.
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Be it TV, films, or stage, I love substantial roles. The length of the character doesn't matter, but if the character is well thought, then I have to grab it.
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Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
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I played a tomboy character in 'Dohchay.'
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A lot can be said with just a look, or the way the body moves. Each song is a different character. So each song takes on a different movement of the body. And the body has to go with the subject and the attitude that you have toward that subject.
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'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
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A lot of people that make films say, 'We need this kind of character. Who's done it before? Get them to do it again.' That is exactly what actors are pushing against. It's kind of a cliche to talk about being stereotyped in that way, but it happens.
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Almost every character I've ever played - and sometimes this is very conscious and sometimes it's not - I need to find what they love.
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It's hard sometimes if you think a character should look a certain way and you're being pushed to do it differently. I've had fights over that. That's why it's so important that you work with good people.
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I would love to be on a show where I'm allowed to play a character that you're not suspicious of, from the get-go, and who's someone that you can just relax with, take in and like, right off the bat.
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I was Aladdin, and then I was Captain Von Trapp from 'Sound Of Music' when I was 7 or 8, and then King Arthur. I was always the lead. I've always enjoyed being onstage, acting obnoxious, being someone that wasn't me, hiding behind a character.
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I set out to destroy socialism because I felt it was at odds with the character of the people. We were the first country in the world to roll back the frontiers of socialism, then roll forward the frontiers of freedom. We reclaimed our heritage; we are renewing it and carrying it forward.
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My girlfriend tells me if I'm doing a movie I'm a roller coaster of emotions all the time, but on 'Boardwalk,' because I've done it for so long and I'm so in tune with the character, she says I'm pretty happy most of the time.
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I love it when you like a character, and then she does something you don't like, and you hate her for a while - then you love her again. I'd like to see her have unlikable moments that the audience understands and sympathizes with.
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When Calista Flockhart read for 'Ally McBeal', I saw this perfect chemistry between the words on the page and the person who would embody that character.
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I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.
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Character is greater than talent, genius, fame, money, friends - there is nothing to compare with it. A man may have all these and yet remain comparatively useless - be unhappy - and die a bankrupt in soul.
