Character Quotes
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We're all on a journey. The average American switches professions four times. I'm lucky to be in a business where I can change the character I am playing every couple of months.
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When I was young, I was offered my first recording contract in 1971 and was offered quite a bit of money if I would change my character and be a '70s version of Cher.
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It was really the dream role, and when they first cast me, and I started playing Dolores in the Westworlds and all I knew was the analysis mode and her prairie-girl character, I thought, "Yeah, of course I can do this, and I'm good at it, but why did they pick me?" Not because I'm not capable, but I'm also kind of a tomboy, edgy, so I was curious.
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I don't ever feel a full transition to my character. I don't ever feel like I have left myself, because if I did, I would need professional medical attention. I always have to keep my own wits about me, or I would miss a mark on the floor, or be unable to follow the director's advice from the last take. However, when I'm at my best, I feel like I'm doing an impression of a person I've never met. It feels complete, and yet improvised.
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Every actor, I don't care what they say, their roles are a lot more interesting than we are, and at the end of the day, it's still entertainment or fantasy. I think we can learn a lot from the characters we play and I find that the characters are even more noble than myself.
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We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
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Any fool can fight a winning battle, but it needs character to fight a losing one, and that should inspire us; which reminds me that I dreamed the other night that I was being hanged, but was the life and soul of the party.
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After a while, the person who knows the character best is you, the actor.
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The best of all kinds of movies are character-driven, and I definitely don't want to lose sight of why Derek and I started to write movies together in the first place.
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There can be a blurry line between laughing at the expense of a character and laughing at the recognition of something painful and true. But blurry as it may be, it is nevertheless unmistakable, and sometimes the laughter I hear makes me wince.
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Many Christians have what we might call a 'cultural holiness.' They adapt to the character and behavior pattern of Christians around them...But God has not called us to be like those around us. He has called us to be like Himself. Holiness is nothing less than conformity to the character of God.
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As far as playing different characters within the character, I think that's fun. Very rarely, on TV, do you get to do that on such a regular basis.
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If you want the secondary greatness of recognized talent, focus first on primary greatness of character.
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I try to offer as much as I can to the director so he has as much to work with as possible to create the character that, really, he wants to create in a sense.
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Duke is a character who believes that heroism and the Robin mantle can exist entirely separate from Batman himself.
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It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.
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This morning in the dressing room they were as down as I've seen a hockey club. Tonight they showed a lot of character. I have tremendous respect for this team.
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Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
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The rule for finding plots for character-centered novels, which is to ask: 'So what's the worst possible thing I can do to *this* guy?' And then do it.
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I can't play anything until I find something that connects to my life, something I can carry as my secret map or code for the character.
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I very much write from characters. Those people start speaking, and then I have them in the house with me and I live with them. Then at some point, it's time to get them out of the house. You can only live with someone like Dr. Georgeous Teitelbaum from THE SISTERS ROSENSWEIG for so long, and then it's time for her to go. But it is very like having the company of these people and trying to craft them in some way into a story.
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For people who are invested in these characters and the back-story of the universe and everything, all of these things come to a resolution in Mass Effect 3. And they are resolved in a way that's very different based on what you would do in those situations.
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Portraying this character Diwata has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl "should be."
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I would love to do a period piece. That would be really cool. And also like to do something transformative and have to transform yourself physically to become that character. Any interesting, fun roles, I'm attracted to.
