Character Quotes
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Twitter has been a pleasant surprise for me. I never imagined that anyone would be interested in what I have to say! It's been fun hearing from fans around the world. Hearing how much the fans still enjoy Aliens, and what my character has meant to them has been awesome. I enjoy chatting and replying when I can.
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Once the decision has been made, close your ear even to the best counter argument: sign of a strong character. Thus an occasional will to stupidity.
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Basically, the way you get into any role is just doing research on the type of character you're playing.
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I never had any urge or desire to do like a big spectacular movie with thousands and thousands of extras. I'd rather watch paint drying. But put me in a room with three people having a hard time, like a character situation, and then you're into a really intense portraiture kind of concept.
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Every audition is different, but I get incredibly nervous and insecure and worked up for however long I have to prep - that's when I get to spin. But you're not allowed to spin once you enter the room. Doubt really can't enter the room when you're auditioning - unless it's part of the character.
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Having plastic surgery is pathetic. You don't look any younger; you look well for a bit until it starts going again, but it takes all the character out.
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You get thought of in terms of your last job. So if my last job is that of a meat cleaver-wielding character, I will hardly be cast as some benign, older gentleman.
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During abusive conversations each remark after the first is only about the previous remark. -- Verbal abuse is less complex than other forms of conversation! "Aware of their stateless, knee-jerk character, I recognize that the terse remark I want to blurt has far more to do with some kind of "reflex" to the very last sentence of the conversation than it does with either the actual issue at hand or the person I'm talking to. . . . I steer myself toward a more "stateful" response.
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The best way to show an emotion is not through a character's words, but their smallest expressions - to take what an actor would visually do and try putting that down on the page for the reader to 'see.'
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Wonder Woman feels like she's been put on a pedestal for so long, and it's hard to write that character because they're perfect and they can't do anything wrong.
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The interesting thing is, when you play a real-life character or someone based in a book, you always come up against people's preconceptions of what they have in their heads.
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I filmed 'Albatross' before I got 'Downton.' It's a coming-of-age movie about this girl who leaps into this family's life, like a whirlwind. She's ballsy and brash and wonderful, it was such an amazing character to play.
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With the Israel stories, it was for me the most surprising way the title would fit in. I kept thinking about, for a lot of my Israeli characters, what it was like to inherit such a complicated and symbiotic relationship to America and to feel how tangled that is, and it's nothing that they chose to do themselves.
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In common discourse we denominate persons and things according to the major part of their character; he is to be called a wise man who has but few follies.
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Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
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My job is to bring to life the character, not to put the words on the paper.
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Its subtlest, most appealing accomplishment may be in how other characters respond to Gregorius' precipitous swerve onto the spiritual path. (...) That said, Night Train to Lisbon is a very long, ambitious book that's feverishly overwritten. (...) Think of W.G. Sebald recast for the mass market: stripped of nuance, cooked at high temperature and pounded home, clause after clause. Some of the clumsiness derives from Barbara Harshav's inelegant translation -- we're often aware of her struggle -- but she can't be blamed for the pervasive bloat.
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Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
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You have at hand many examples of good character from whom you will have learned the lessons by which you can live your own lives. You are blessed. Make the most of it.
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Sam Jackson is a director's dream. Some actors hope to find their character during shooting. He knows his character before shooting. Sam's old-school. I just got out of his way. I never did more than two takes with Sam.-william friedkin
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You can't take a character anywhere they don't expect the character to go. But within those confines is where creativity lies.
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What I do when I create a character is put in details from all the people I know who might be like that person, and then put in a huge amount of myself.
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The judiciary has fallen to a very low state in this country. I think your part of the country has suffered especially. The federal judges of the South are a disgrace to any country, and I'll be damned if I put any man on the bench of whose character and ability there is the least doubt.
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If you are inclined to leave your character solitary for any considerable length of time, better question yourself. Fiction is association, not withdrawal.
